With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
SIGMA CINE
Project showcases, interviews with filmmakers, and company news about the SIGMA CINE lens line.
Tips for Filming in the Snow
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Behind the Scenes on Netflix’s Halston
DP William Rexer and DP Tim Ives explore behind the scenes of creating Halston with Sigma Cine lenses and Cine Classic lenses.
Auto Exotica: Where the car is the star and you’re along for the ride
The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.
White Fire Interview: Creating the Films that Matter
Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.
A Basic Guide to Diopters
Diopters are a powerful addition to any cinematographer’s arsenal; experienced or not. They’re often overlooked but have a unique way of expanding the capabilities of lenses you already own.
DP Sandra Valde-Hansen on The L-word: Generation Q
Learn how DP Sandra Valde-Hansen puts her experience and SIGMA Cine Classic lenses to work on her latest projects, including The L Word: Generation Q.
The Cinematography Challenge: Episodes 1-3
SIGMA has teamed up with Rosco to bring you the Cinematography Challenge! Check out all three episodes now and see how these talented artists were able to compose a surprise scene in just 30 minutes.
The Feel of Film with SIGMA Cine Classic Lenses
How SIGMA Classic Primes help to create the traditional “film” feel of cinema.
ProRes RAW Workflow with the SIGMA fp
Recording in ProRes RAW while using the SIGMA fp & fp L and the workflow for that RAW footage in post.