Cinematography in Tight Spaces: Trees of Peace

Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.

SIGMA Burbank Open House

Please join us at the Sigma Burbank Showroom on Sunday, June 12 from 12pm – 6pm for our open house! We will have all of our Cine lenses and Classic lenses available for testing. Chat with the Sigma Ambassadors to…

Virtual Production and Cinematography

We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.

Virtual Production and Cinematography

Join us on April 15th at 1pm PT on Facebook Live as we sit down with Sam Nicholson ASC to discuss his experience in the world of virtual production.

Language of Lenses: 28mm vs 35mm vs 40mm

DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.

Aerial Camera Operating with Dan Godar

With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.

Tips for Filming in the Snow

Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties

Behind the Scenes on Netflix’s Halston

DP William Rexer and DP Tim Ives explore behind the scenes of creating Halston with Sigma Cine lenses and Cine Classic lenses.

Auto Exotica: Where the car is the star and you’re along for the ride

The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.

White Fire Interview: Creating the Films that Matter

Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.