Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.
SIGMA Burbank Open House
Please join us at the Sigma Burbank Showroom on Sunday, June 12 from 12pm – 6pm for our open house! We will have all of our Cine lenses and Classic lenses available for testing. Chat with the Sigma Ambassadors to…
Virtual Production and Cinematography
We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.
AbelCine Presents: Spring Tech Showcase
Join the SIGMA Cine team at AbelCine’s Spring Tech Showcase. On Saturday, May 21st at the Industry City, Brooklyn location, come for a day full of new technology, hands-on demos, inspirational panels, and much more! Panel discussions and educational breakout…
Language of Lenses: 28mm vs 35mm vs 40mm
DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
Aerial Camera Operating with Dan Godar
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
Tips for Filming in the Snow
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Auto Exotica: Where the car is the star and you’re along for the ride
The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.
White Fire Interview: Creating the Films that Matter
Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.
DP Sandra Valde-Hansen on The L-word: Generation Q
Learn how DP Sandra Valde-Hansen puts her experience and SIGMA Cine Classic lenses to work on her latest projects, including The L Word: Generation Q.