SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.
Read about cinematographer Claudio Miranda’s experience using SIGMA CINE lenses on Top Gun: Maverick.
Winner of the “Honor” category, California State University Northridge student Sofia Ayerditalks about the power of storytelling, advice for aspiring film students, and her experience working at The Oscars.
Go behind the scenes with Pixies bass player (and director) Paz Lenchantin and DP Joe Rubinstein, and learn how they used the SIGMA fp to film the legendary alternative band’s latest music video.
Justin Steele talks about his winning submission, his journey from military to filmmaking, the lessons he has taken away from school, and advice for future students
Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.
We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.
DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.