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Cine

Project showcases, interviews with filmmakers, and company news about Sigma’s Cine lens line.

Q&A with Paige Bethmann, Director and Producer of “Remaining Native”
Cine

Q&A with Paige Bethmann, Director and Producer of “Remaining Native”

Cinematography
Filmmaking
SIGMA Cine Lenses Used in Filming of Blumhouse Horror Comedy “Totally Killer”
Cine

SIGMA Cine Lenses Used in Filming of Blumhouse Horror Comedy “Totally Killer”

CINE Lenses
Cinematography
Feature Film
SIGMA Interviews “Prom Dates” Director of Photography Bradford Lipson
Cine

SIGMA Interviews “Prom Dates” Director of Photography Bradford Lipson

CINE Lenses
Cinematography
NAB 2024 Roundup with SIGMA, Fujifilm, Blackmagic Design and Atomos
Cine

NAB 2024 Roundup with SIGMA, Fujifilm, Blackmagic Design and Atomos

Atomos
CINE Lenses
Cinematography
Getting Cinematic with Lightweight, Compact SIGMA Contemporary Prime Lenses
Cine

Getting Cinematic with Lightweight, Compact SIGMA Contemporary Prime Lenses

Cinematography
Contemporary Lenses
I series
The Perfect Super 35 Combo: SIGMA Cine 18-35mm T2 and 50-100mm T2 Zoom Lenses
Cine

The Perfect Super 35 Combo: SIGMA Cine 18-35mm T2 and 50-100mm T2 Zoom Lenses

18-35mm T2
50-100mm T2
APS-C
SIGMA Cine Lens Buyer’s Guide
Cine

SIGMA Cine Lens Buyer’s Guide

CINE Lenses
Cinematography
Lens Guides
Camera to Cloud On Location in Hawaii with SIGMA and Atomos
Cine

Camera to Cloud On Location in Hawaii with SIGMA and Atomos

Atomos
Camera to Cloud
CINE Lenses
SIGMA Cine Prime Lenses for Automotive Cinematography
Cine

SIGMA Cine Prime Lenses for Automotive Cinematography

CINE Lenses
Cinematography
A First Step into Virtual Production
Cine

A First Step into Virtual Production

ASC
CINE Lenses
Cinematography

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