DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Writer/Director Paul Shoulberg and Sigma Cine Ambassador Graham Sheldon reveal indie production tips with a case study of their film ‘Ms. White Light.’