Language of Lenses: 28mm vs 35mm vs 40mm

DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.

Aerial Camera Operating with Dan Godar

With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.

Tips for Filming in the Snow

Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties

Feature Films 101: Indie Filmmaking from Script to Distribution

Writer/Director Paul Shoulberg and Sigma Cine Ambassador Graham Sheldon reveal indie production tips with a case study of their film ‘Ms. White Light.’

Shooting a Film with One Lens

Rubidium Wu explains what you need to consider when shooting a film with just one lens.

Sigma Cine or Sigma Art lenses for Video Productions?

As Sigma’s dedicated Cine Tech Rep, one of the most common questions I get is why should I use a dedicated Cine lens instead of the Still Art lens when the Cine version cost so much more?