Introducing Children to Digital Photography

Today’s children are amazingly tech-savvy. It is not uncommon to see toddlers easily swiping through puzzles and games on tablets and smartphones. Recently, my  daughter began teaching me how to use Google Voice typing—something I didn’t even know was readily available on my laptop computer until she demonstrated it for me! And of course, every smart phone and tablet packs a camera, so children are being introduced to the basic concepts of photography at a much younger age than ever before: We’re talking framing, timing, and firing the virtual shutter. This is a part of their world from a very young age now. And swapping the tablets for a purpose-built camera has never been easier.

Furthermore, there’s never been a better time than now for young photographers to start exploring their world with DSLRs and mirrorless cameras: cameras that are a few generations old can be purchased for a song through the second-hand market on the outside chance you don’t already have a slightly older digital camera and lens gathering dust in a closet somewhere that’s ready to help your child explore and document their world and begin their photographic journey of discovery.

In this blog posting, we are going to offer suggestions based on our experiences and observations as writers and photographers to help you foster the love of photography in the next generations.

At what age can a child begin using a real digital camera?

This depends on what you describe as a “real digital camera.” If you are talking about a dedicated camera as opposed to a smart phone or tablet, children as young as three or four can easily be trusted with a compact waterproof camera. Many brands offer their own versions and variations of this class of camera, and a search on eBay shows lots to be found on the cheap. The key terms to search for are “water-resistant” “water-proof” and “drop-proof”.

My daughter asked if we could stop the car on a backroad in Tropic, Utah to capture a weathered barn that caught her eye. She packed her own waterproof tough-class camera and documented this family vacation for herself when she was going in to 2nd grade.
A rustic western barn outside Bryce Canyon in Tropic, Utah by my daughter who was 7 years old at the time.

We gave our daughter a waterproof compact camera for her to use as she pleased when she was just around three years old.  This class of camera, while not actually purpose-built for the toddler set includes several critical design features that make them the ideal starter digital camera for young children.

Compact Waterproof camera features that also make them perfect for young children are:

  • Locking Battery and SD card compartment: To ensure a tight seal while swimming, these cameras have a virtually kid-proof lock to keep the small battery and memory card locked inside.
  • Internal zoom lens and integrated flash: No external moving or extending parts
  • Water, drool, and fruit juice-proof design: if it can survive a snorkeling expedition, it can survive the occasional household accident!
  • Droppable, stompable, rugged and durable: kids drop things, it is what they do. The tough class of cameras can handle it.

If you can’t find a tough camera with a locking battery/card compartment, use gaffer’s tape to seal the compartment door of any camera a younger child may be using: SD cards and batteries are definitely choking hazards. (Gaff tape is also perfect for quickly kid-proofing outlets in hotel rooms, too!)

What are some tips for introducing children to photography?

Kids are naturally curious, and are natural explorers of their world. So don’t get so hung up on your adult mind’s nuanced understanding of photographic principals and steadfast rules. Instead, do your best to set them up for success, even if this means tossing some of the grown-up rules out the window.

For example, a child isn’t going to care as much about digital noise as you are; but will definitely notice a very blurred frame; so consider cranking the ISO setting way up to ensure they will have sharp enough shots even in dodgy lighting.

If the lighting is good, turn off the flash. If the lighting is poor and flash is necessary, turn off Red-Eye Reduction pre-flashes: many times the young photographer is going to think the first flash burst captured the shot and will move the camera between the pre-shot blast and the actual capture.

On a trip to the national zoo in November 2017, we packed my micro four thirds camera and a compact zoom lens. My daughter borrowed it to get a closer look and make frames of the pandas munching bamboo.
Bei Bei the panda at the National Zoo, November 2017 as framed by my daughter through a 70-150mm zoom lens on a micro four thirds camera for an effective 300mm focal length.

Set the camera to full auto Program, the “easy modes”, and consider particular Scene modes as the conditions dictate. I know many “serious photographers” look down upon these exposure assistance modes; but sometimes, successful teaching means letting go of your own preconceptions in order to reward the student’s efforts. A four year old may not be able to grasp what a “stopped down bulb long exposure” is, but setting a compact camera on a sturdy table with a mini-tripod and switching to Fireworks mode to try to successfully capture the starburst in mid-air on her first or third try will have much more of an impact and spark that creative internal fire than all the big words and terms and settings adjustments you can manage to squeeze in.

If you are using a camera that has aperture controls, stop down F-stop a bit to give greater depth of field, particularly with any moving subjects. (Learn more about aperture control for creative photography here.)

Consider switching to a single-shot mode, instead of burst mode. Oftentimes, kids will hold the shutter button down and fire off far, far, far too many nearly identical frames!

A sturdy tripod can be a great benefit particularly to give your young assistant a shot at capturing some family portraits. Often, kids learn by imitation, and letting your child take a turn behind the camera for a holiday or family gathering portrait is a great way for them to catch the photography fever. Just be sure the tripod is set up with a wide, stable base, and lower it if necessary from where you’d normally position it.

On a visit to Arches National Park a few years back, I had no worries about handing my DSLR to my then 7 year old daughter to capture some shots of the grasslands and distant rock formations.

When it comes to DSLR and mirrorless cameras, here are some suggestions for getting started:

Small hands, small cameras: An entry level APS-C sensor DSLR or compact mirrorless camera is a better starter option than some giant full-frame pro caliber behemoth of a camera!

All-in-one lenses offer a lot of versatility: wide to supertele plus close-up without changing lenses is nice!

Compact prime lenses offer simplicity: opposite of the above, but a compact prime removes one variable, which can simplify the through-the-lens experience.

Is my child ready to hand-hold a DSLR or mirrorless camera?

Here are some questions to consider to determine if your young child is ready for an interchangeable lens camera, be it a DSLR or a compact Mirrorless camera.

Does the child show a genuine interest in making photographs? While it is true that many children are inspired by the hobbies of their parents, grandparents and older siblings, are they genuinely interested? Foisting or projecting your love of photography onto an unwilling child may not be beneficial.

Does the child follow instructions consistently enough to hold and frame photographs without losing interest and/or dropping the camera? A good way to think about this is by comparing it to baking cookies from scratch with a child. Are they following along with each step, or getting distracted and disinterested as you move through Step 2, 3, and 4 in the recipe.

Does the child have the physical dexterity to hold the specific camera, frame and compose the image, and press the shutter button, either through the viewfinder or LCD screen? I strongly suggest testing this at home, either on deep carpet or soft grass in the backyard, rather than along a rocky trail!

If the answer to most of these questions are “YES!”, then your child or grandchild may be ready to start experimenting with an interchangeable lens camera. Follow their lead—are they asking you for a turn to use your camera? Are they showing an interest in not only observing, but also documenting their world?

For a 1st grade science fair project researching density in tap and salt water, we set up a simple stage and my daughter captured her own documentary shots with a micro four thirds camera and the Sigma 19mm F2.8 lens. And in case you didn’t know, lemons float and limes sink, thanks to the differences in the thickness of the rind!

Look for the intersections of their other interests and projects. For example, my daughter was particularly interested in creating her own documentary photos for her first grade Science Fair Project, so we worked together to set up a micro four thirds camera and 19mm lens to make it happen. She also loves to make portraits of her stuffed animal friends, both solo and in groups, and can spend hours posing and photographing them—when she’s in the mood. One of her friends uses his camera to document his amazing Lego creations—let them discover the natural interplay of photography and their other interests. To many a child, the far corner of the backyard or the county park’s petting zoo may be as exciting and intriguing a location to explore as the grandest regional zoo or National Park.

Most of all, let it be fun. Teach some tips when you can; but let them discover and learn, review and reshoot, and they’ll be well on their way to discovering just how amazing and rewarding photography can be!

Sigma Gear for Summer Fun

Summer is a great time to hit the road and make amazing memories and fantastic photos! Wherever your trail leads, Sigma has a lens that is perfect for your vacation style!

To the beach, to the lakes, to the mountains! Sigma has a lens that’s perfect for your vacation style.

The best camera lenses for the beaches, bays, and lakes

All-in-one All-Star

This high zoom ratio lens covers a lot of focal distance without ever having to change lenses, perfect for sandy, mist-sprayed seasides. From wide angle to supertele with a flick of the wrist, it can take in the whole of the beach one instant, and then fill the frame with surfers on the waves, or birds on the rocks. Optical Stabilizer keeps shots sharp at slower shutter speeds, meaning you can skip the tripod in many situations. Adding to its versatility is its close-up abilities, offering 1:2 magnification with the close-up adapter lens, perfect for details of starfish, sandcrabs, and the most amazing shells. This is the best bargain one-lens solution around!

Travel with the 18-300mm | C lens!

Beaches, Boardwalks, and Fireworks: Day and Night specialist

The 17-70mm F2.8-4.0 DC OS Macro HSM | Contemporary is a serious upgrade to the standard kit lens. The fast-aperture design makes is perfect for seascapes, seaside portraiture, and boardwalk action shots both day and night, including fireworks. And 1:3 macro for closeups adds to the versatility.

See the 17-70mm F2.8-4.0 in action at the beach here!

Great Fireworks Tips and Tricks!

Best lenses for Birders on a budget

The Sigma 150-600mm F5-6.3 DG OS HSM | Contemporary lens is a full-frame supertelephoto zoom lens with Sigma’s incredible, exclusive feature set including lens customization for AF speed, focus limiters, and zoom lock at all marked focal lengths. This lens delivers outstanding long-reach imagery of shorebirds, windsurfers, sailboats and other seaside subjects. Want even more reach? Bundle it with the 1.4 teleconverter!

Terns on the beach, as seen through the 150-600mm Contemporary lens. 1/1250 F8 ISO 400 at 600mm on a 6D.

Learn why this lightweight supertele is a game-changer for all-day long-reach photography!

Another great lightweight option  is the 100-400mm F5-6.3 DG OS HSM | Contemporary lens!  At just over two and a half pounds, this bantam zoom offer long reach, blazingly fast autofocus and Sigma’s exclusive lens customization with the USB Dock. 

A snowy egret takes flight from a tidal pond as seen through the Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary lens paired with a Canon 6D. 1/1000 F6.3 ISO 500 at 400mm.

See the 100-400mm in a birding sneak peek posting! 

The Best Compact Supertelephoto Zoom lens for Photo Safaris

The Sigma 60-600mm F4.5-6.3 DG OS HSM | Sports lens is the world’s only 10X high-zoom ratio standard to supertelephoto zoom lens with a long end of 600mm. As an added bonus, it captures 1:3 magnification macro close-ups at 200mm. And the Multi-material design keeps it a lightweight six and a half pounds. Weather-sealed and ready for adventure? You know it!  Pair it with an Art line wide angle and you’ve got wide to far and close up covered!

Continue reading Sigma Gear for Summer Fun

Ultra High Speed Photography with the Sigma 70-200mm F2.8 Sports lens and Miops RemotePlus

A dart pops a balloon microseconds after bursting thanks to the sound trigger setting on the Miops RemotePlus, which triggered a Canon 580EX Strobe set to 1/64 power just out of frame. The shot was captured on a 6D with the new Sigma 70-200mm F2.8 DG OS HSM | Sports lens. A very quick dab of the Healing Brush in Adobe Camera Raw wiped out the monofilament and safety pin in each image.

Jack Howard paired the Sigma 70-200mm F2.8 DG OS HSM | Sports lens, and a Miops Mobile Remote to trigger a strobe set to fractional power for ultra high-speed captures of balloons bursting. 

The story behind these photos begins with the fox that visits my back yard on a regular basis. My quest for an easy to use laser-trip camera trigger led to my discovery of the Miops RemotePlus.  (Visit the Miops website here.) From interval shooting, to sound, lightning, and laser-trip triggering—each selected through an intuitive smartphone app— this matchbox-sized, smartphone-interfaced camera and strobe trigger packs a ton of features and functions for creative photography into a tiny package. Hopefully, one of these mornings, I’ll actually catch my neighborhood fox! But right out of the box, I realized the Miops RemotePlus could help me make a series of colorful photos that really “pop” off the backdrop. It was an interface and function familiarization exercise that turned into a fun project of its own for both me and my daughter!

We experimented with dart angles and trajectories. I really like how this one came together…or should I say blew apart? The blue festival powder, the bright yellow balloon and the shadowy dart just make this one “pop” for me.

How to photograph a popping balloon

The setup is pretty simple, actually. I used a boom stand to dangle the balloons in front of a black flocked backdrop. My Canon 580 EX Speedlite was positioned about 16 inches from the balloon on the upper left side, with the Miops RemotePlus flash adapter wrapped around a tripod leg, also about a foot and half from the balloon. A file box lid was used as a simple white reflector at an angle to bounce the light back at the balloon for more even illumination. The Miops RemotePlus was set to “Device Sound Detection” with  sensitivity set to 60. This was sensitive enough to be able to test-trigger the strobe with a solid hand-clap, but not have it popping off for a cough or conversation at normal talking volume between shots. The strobe was set to Manual, and set to 1/64 power for an extremely short, high-speed motion freezing pulse of light that’s somewhere around 1/30,000 of a second, per most sources.
Continue reading Ultra High Speed Photography with the Sigma 70-200mm F2.8 Sports lens and Miops RemotePlus

The Secret to Photographing Children

The key is… (are you ready for it?)… patience.  Yep, that’s it.  Simple, but not easy.

Be.

Prepared.

To.

Wait.

Once you understand that this may take a while you will not feel the need to rush them or yourself, which will inevitably make this portrait session implode.   This applies to photographing children by themselves, with siblings/friends, and in family portraits.  In fact, sometimes photographing families with children is even more difficult because the parents get frustrated trying to make their kids behave that it can have the opposite effect.  Hopefully your patience will rub off on them.

Sigma 24-70mm F2.8 DG OS HSM | Art lens. 1/640 F2.8 ISO 200 . © 2019 Jared Ivy

Continue reading The Secret to Photographing Children

What is Back-Button Focus and Is it Right for Me?

To back button focus or not? This is an interesting debate among sport shooters and hobbyists alike. I can tell you from experience it is the most unnatural thing to start doing and takes a great deal of practice and patience before it suddenly becomes second nature.

Straight out of the box, virtually every interchangeable lens camera has Autofocus assigned to the shutter button.  So, when you pick up the camera and push the shutter button, first it searches for focus, and then, once focus is achieved, it opens the shutter and takes your photo.  On the surface, this seems the perfect way to get more shots in focus. But it makes the shutter do double or triple -duty, and can slow down the process when timing means everything. The Back-button focus technique can make the camera more responsive since the shutter button is now charged, first and foremost, with the task for which it is named: opening and closing the shutter.


How to make back-button focusing work

Let’s be real: regardless of skill level, everyone always looks for some kind of an edge or magic bullet if you will when it comes to faster focus.  Most people think that the fastest shooters are the Pro Sports Illustrated photographers and they, and their equipment kit becomes the mythical standard.

The reality is that the camera and the camera focus system is going to be the first bottleneck in the equation.  Here is a shocker…..not every camera is created equally. It does not matter whether you are shooting a flagship camera from one of the brands out there or even an entry level DSLR.  They all have similar tools available and if you understand the tools then you are half way there. While another important part can be frame rate, you can bypass that by learning timing. We will leave that discussion for another tech tip.

One thing that you can do to combat this slow focus thing is to use back button focus. As I said earlier it is an unnatural act at first. It takes practice and that means missing some shots periodically. But it is a powerful advantage to disentangle autofocus from firing off your shot. For example, if the AF is searching and not tracking your moving subject like a bird in flight perfectly, just pop your thumb off the AF button and switch to manual focus. If you’re at a baseball game and it looks like there’s going to be a steal attempt at second, you can prefocus on the bag and wait for the action to come to you and fire away as soon as the frame develops—and if it turns into a rundown between the bases, just press the back-button AF and you’re good to go.


Take the time to learn your camera

Now mid range and high end cameras have a dedicated AF button on the back of the camera that is always active.

Other cameras in the line ups have an AFL/AEL that is programmable to be used as a back button focus. This feature will be a little different from camera to camera so please look at the owners manual for the specifics on how to change or customize this feature.

The shutter button has three functions to do at one time and that sometimes can slow the camera down a bit. By using the back button you are able to lock exposure and make the camera react much faster. You can also track and recompose the image faster when using the back button as well. It does take time to get used to, there is no question there. Some people get used to it almost right away and some it takes many tries. With this feature you may want to read about the different focus modes in the owners manual. You will also want to touch on the tracking methods. You need to experiment with them as each person and situation tends to vary.  This will lead to more conversations later on single AF vs CAF or servo focus

Taking a Trip to Namibia with Sigma Lenses

Our friend Dion Scoppettuolo recently returned from an epic Safari and adventure in Etosha National Park in Namibia, Okonjima Game Reserve in Namibia and the Namibian Desert. The Sigma 18-300mm F3.5-6.3 DC MACRO OS HSM and 150-600mm F5-6.3 DG OS HSM Contemporary lenses were along to document his travels. Were these lenses up to the challenges of capturing the magnificence of these remote locations? The photos speak for themselves! Be inspired by this great gallery of images!

© 2018 Dion Scoppettuolo | The Namib stretches over large areas of western Namibia. Sigma 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary

© 2018 Dion Scoppettuolo | Stalking a herd of impala. Okonjima game reserve, Namibia. Sigma 150-600mm F5-6.3 DG OS HSM | Contemporary

Continue reading Taking a Trip to Namibia with Sigma Lenses

Beginner’s Food Photography Tips and Tricks

With a little practice and some practical guidance, it is easy to make amazing food photographs of your own culinary creations. Whether you are a beginning food blogger, or an experienced chef who’s ready to move beyond the smartphone snap, making Insta—worthy shots has never been easier with a beginner’s DSLR and a sharp zoom lens. The ability to zoom in close for details and that amazing background blur will really set your photos apart in a sea of snack and cake shots.

17-70mm | 70mm | 1/125 sec, f/4.0, ISO 1250 | © Danielle Rischawy 2018

Continue reading Beginner’s Food Photography Tips and Tricks

Holiday Season Family Memories: How to Make Magical Photos

Sigma Art 135mm – To make falling snow pop, place your subject in front of a dark background like these pine trees behind my son. Using a longer focal length lens like the 135mm will also create beautiful snow bokeh. © Meg Loeks | 2017

The holiday season is a magical time of year. Seeing the wonder and excitement in my children’s eyes has made me realize that more than ever. They have helped me slow down and appreciate the little things. Growing up we had many family holiday traditions. Now with my own children, we have created our own. Here’s a list of fun activities to consider doing with your children during the holiday season.

Sigma Art 24mm – Using a wide angle lens like the 24mm is great for tight spaces, especially when shooting from above. © Meg Loeks | 2017

Sigma Art 35mm – One way to capture bokeh during the holidays within your own home is to pull your subject away from your tree and set a wide aperture like in this image at 1.6. © Meg Loeks | 2017

Sigma Art 85mm – To capture sun flare, place the sun at the very edge of your frame. It helps to have something partially blocking the sun like in this image with the treeline. © Meg Loeks | 2017

Christmas Tree Farms

Head to your local tree farm to find the perfect tree to put up in your home. This is my family’s absolute favorite tradition. My children have so much fun trying to find the perfect tree. The local farm we go to every year has a bonfire to roast marshmallows, hot cocoa to sip on and children are even able to meet Santa.

Sigma Art 85mm – © Meg Loeks | 2017

Sigma Art 85mm – © Meg Loeks | 2017

Sigma Art 85mm – Zoo lights are a great way to capture gorgeous bokeh during the holiday season. Place your subject close to the lights to allow for better light to shine on your subject. © Meg Loeks | 2017

Zoos and Nature Parks

Consider checking out your local zoo to see if they have an evening lights display during the holiday season. It’s a great way to get outside and see some magical lights on display, and of course maybe some animals too.

Sigma Art 35mm – If you are working with low light within your home, have your subject stand near a window for better light. © Meg Loeks | 2017

The Elf on the Shelf

You have probably heard of the Elf on the Shelf. This is a fun tradition my family started doing last year. I think my husband and I have more fun trying to come up with creative places to hide our Elf more than anything.

Sigma Art 85mm – One of the benefits of shooting with a longer focal length lens during the Santa parade is the beautiful compression it creates. This helps to separate your subject from the background and make them stand out. © Meg Loeks | 2017

Holiday Parades

The Santa Parade is another favorite for my family. Many towns big and small have one, and the excitement of the crowd is captivating. Not to mention all the incredible floats and Santa himself. My children always come home sticky from eating too much candy, but I can honestly say it’s always worth it.

Sigma Art 35mm – A wide angle lens like the 35mm allows you to easily work in tight spaces and is a great storytelling lens. It might not have gorgeous compression like the 135mm but it does allow for greater depth of field because it is a wide angle lens. © Meg Loeks | 2017

If you have a historical village near you, chances are they put on some sort of holiday event. It’s a wonderful way to step back in time and experience some old-timey holiday activities from candle making to playing with old train sets.

Sigma Art 35mm – © Meg Loeks | 2017

Sigma Art 85mm – The 85mm is a wonderful everyday lens because you don’t have to stand too far back when photographing your subject, yet still have beautiful compression. © Meg Loeks | 2017

Vintage Trains

Check to see if you have some sort of Polar Express or Santa train near you. We love this tradition so much that we go on two different trains near us. My boys are able to sip on hot cocoa and even sit with Santa.

Sigma Art 35mm – Placing your subject close to the light source will allow for the light to dramatically fall off and hide a lot of the distractions in the background, like in this image. There were a lot of people behind my son, but they don’t distract from the focal. © Meg Loeks | 2017

Sigma Art 85mm – © Meg Loeks | 2017

Botanical Gardens

If you have any botanical gardens near you, then you might want to look into whether they have a holiday display. Our local conservatory has the most incredible wooden train set on display. It’s also a great way to escape the cold.

Sigma Art 85mm – One creative way of capturing bokeh during the holidays is doing an in-camera multiple exposure. In this image the outdoor capture with my boys was taken first. Then I went inside, selected multiple exposure on my DSLR, and switched to manual to intentionally blur a string of lights. The blurred light capture was then layered on my outdoor image. Make sure to check your camera’s manual on how to do an in-camera double exposure. © Meg Loeks | 2017

Your own “backyard”

Don’t forget some of the most fun can be had right at home. If you live in a colder climate where you have snow, consider making snowmen or sledding. These are two things you will often find us doing during the holidays and the great thing is it is fun for free.

Sigma Art 85mm – © Meg Loeks | 2017

Sigma Art 135mm – © Meg Loeks | 2017

Sigma Art 35mm – If your kitchen doesn’t have great light consider setting up your cookie decorating in good light like in this image taken in my dining room. © Meg Loeks | 2017

Sigma Art 35mm – © Meg Loeks | 2017

Baking and making

We spend a lot of the holiday season baking. It’s always a little bit of a mess getting my children involved with cooking, but some of my fondest childhood memories were baking with my grandmother.

Sigma Art 35mm – To make your subject pop while shooting through a window, make sure your background is nice and dark like the pine trees directly behind me. A dark background will make your subject pop while looking out the window. © Meg Loeks | 2017

Sigma Art 135mm – © Meg Loeks | 2017

The holiday season is obviously a busy time, but in between the hustle and bustle I hope you are able to enjoy some holiday fun with your children. I’m reminded often that this time goes quick. More than anything, I hope these activities bring you as much joy as they do my family. And I hope these photos help you find your own inspiration for capturing your own holiday memories.

 

See all the lenses Meg used for the article here!

SIGMA 16mm F1.4 DC DN | Contemporary: Hands-On First Look Review

The SIGMA 16mm F1.4 DC DN | Contemporary lens is the second in the series of fast-aperture prime lenses designed specifically for Micro Four Thirds and Sony E-mount mirrorless cameras. This bright F1.4 prime equates to a 24mm F1.4 lens on the Sony E-mount system thanks to the 1.5x APS-C crop factor, and is the first wide angle lens for this system to offer this focal length and aperture. On Micro Four Thirds cameras with a 2x crop factor, it equates to a 32mm F1.4 lens. And it is just a flat-out great optic for these systems!

I’ve had the Micro Four Thirds sample for a few days now, and offer up this first look, hands-on mini-review with a variety of image samples of the lens paired with an Olympus OMD-E5. In a nutshell: this is a great, economical, fast-aperture prime wide angle lens for mirrorless cameras. The lens is super-sharp, the stepping motor provides swift, quiet autofocus, and it feels great in the hands and is right-sized for the systems it pairs with.

I’m impressed with this lens wide open at F1.4 for subject isolation shallow depth of field, and stopped down, it is edge-to-edge sharp from here to infinity. The focus ring offers great grip to balance the lens and is very responsive when switching over the manual focus.

For the most part, I shoot with the OMD-E5 through the eye-finder, but I did use the LCD for a couple of high- and low-angle shots. Single-shot Focus locks very swiftly in most lighting conditions with decent contrast and tracking focus was dead-on in both my still and video experiments, and most importantly, the AF motor is unobtrusive, and does its job to keep focus moving well below the ambient noise levels in all but the most sterile of audio environments. This isn’t meant to be the end-all set of images with the lens, but is a sampling of my first week in a variety of situations to give the lens a performance run-through. I’ll be adding some holiday lights bokeh shots early next week.

The nine rounded aperture blades make the images from this sharp, fast, wide prime shine and create great background blur when wide open, and create pleasant starbursts when stopped down. The lens just feels good in the hands, and with the 32mm field of view on the Olympus OMD-E5, the overall experience is very similar to pairing the 35mm F1.4 DG HSM | Art with a full-frame camera; but in a much more compact package for top-quality imaging with a smaller footprint than a big full-frame kit.

All in all, the 16mm F1.4 DC DN | Contemporary packs a lot of performance into an economical, compact package for Sony E-mount and Micro Four Thirds photographers.

Adam Elmakias: Music Photography Using the Sigma 50mm F1.4 Art Lens

Korn at Download Festival in Derby, UK Sigma 15 mm Fisheye 1250 ISO 15mm f/7.1 1/250th © 2017 Adam Elmakias

His Career:

Adam Elmakias is living many people’s dreams; traveling the world, photographing and touring with diverse groups of musicians.  His journey as a music photographer began in middle school as a simple love for music.  When Adam entered high school, he borrowed a camera from his school’s yearbook club and things flew from there. He recalls bringing his camera to concerts throughout his teenage years; a hobby that eventually became exceedingly difficult to fund. Local promoters began letting Adam into the concerts in exchange for the photos that he would take there. This not only allowed him to connect with local bands that he had grown up with but also kick-started what eventually become his future career.

Since then, Adam has spent a great deal of time on the road with a wide range of talented musicians. His day goes a little something like this:

“Wake up

edit

eat

workout

band wakes up

stalk band/ hang out with band until soundcheck

soundcheck

hang out some more with band, eat food

live show

eat more food

try not to get in too much trouble

go to bed

do it over again.

Obviously taking photos the whole time. “

Adam said that the biggest challenge he faces as a self-employed music photographer is balance. “Figuring out how much I want to work and how much I don’t want to work, what work I want to do and things like that get pretty hard. It’s great in some ways, being my own boss, but can definitely get difficult at the same time.”

Josh Woodard of A Day To Remember
Sigma 20mm ISO 1000 20mm f/2.0 1/200th © 2017 Adam Elmakias

Favorites:

Band to travel with: Adam spends a lot of time traveling with rock band, A Day to Remember, and claims that the work he does with them are some of his favorites. “They’re like my best friends. I’ve been taking pictures of them for years now and know them super well. It makes the work a lot of fun.” He started with A Day to Remember in 2007, when he attended a concert of theirs in Milwaukee. Through a friend he was able to take a photoshoot of the band after the show, and they absolutely loved his shots.  After that came lots of “professional stalking” and forcing himself into situations they were in, in hopes of getting their attention. Eventually, Adam was successful. He joined them on tour for 2 days and traveled to Europe with them in ’09. This was not only the start of a successful professional relationship but a personal one as well. Check out some of Adam’s A Day to Remember shots here.

Jim Root of Slipknot at Knot Fest in San Bernardino Sigma 50mm ISO 640 50m f/2.2 1/400 © 2017 Adam Elmakias

Tour/Experience:  Another one of Adam’s favorite gigs was done recently with Major Lazer. He said that he “loved having the go go go mentality and getting a piece of their crazy lifestyle.”

Place to travel: “Australia? South America? The coolest places aren’t necessarily the same as what people know as the best places.  Russia was really cool. It’s pretty special having the opportunity to travel somewhere that I really would never vacation.”

Jenna McDougall of Tonight Alive in San Diego California Sigma 50mm ISO 200 f/2.5 1/160th © 2017 Adam Elmakias

Josh Dun of Twenty One Pilots in London
Sigma 20mm ISO 1250 20mm f/1.8 1/200th © 2017 Adam Elmakias

Relationship with Sigma

Favorite lens? “The Sigma 50mm art. I love that guy.”  Though Adam isn’t a very technical guy, he acknowledges that when using Sigma lenses, his shots are “consistently pretty.” The lens focuses beautifully and he is always amazed with how smooth and clear his photos come out. Adam also admires the solid build and reliability of Sigma lenses. He claims that his lenses “are put through some pretty rough conditions and the fact that they’re so sturdy is really awesome.”

Advice for Aspiring Music Photographers

“Start small. Start local. A lot of people don’t know how to get into this field because there isn’t a rule book but that’s an amazing thing. There’s a lot of freedom to make your own choices. Go to as many concerts as possible and talk to as many people as possible. The more you do that, the more likely it is that you’ll land something great.”

Final Thoughts:

Where does he see himself in 10 years? “Hanging out with Eminem while he fires me for eating his catering.”

Travis Barker of Blink 182 at The Forum in Los Angeles Sigma 20mm ISO 200 20mm f/1.8 1/250th © 2017 Adam Elmakias

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