The 24-70mm lens is an essential lens for almost every professional photographer, and SIGMA Ambassador Martina Abreu is no different. From portrait sessions to nature hikes, events to sunsets, a 24-70 can handle pretty much everything. The SIGMA 24-70mm F2.8 DG DN II | Art – an upgraded lens for full-frame mirrorless – brings this capability to a smaller, sharper, faster-focusing package.
First Look: SIGMA 24-70mm F2.8 DG DN II Art Lens for L-Mount
From the street to the studio, weddings to travel, there’s nothing like a 24-70mm lens to capture it all. The full-frame SIGMA 24-70mm F2.8 DG DN II | Art features upgraded optical quality, autofocus speed and compact construction, making it the ideal lens for virtually any job. SIGMA Ambassador Jim Koepnick puts this lens to work on L-Mount mirrorless cameras, including Leica and the SIGMA fp L, and provides his first impressions of this amazingly versatile zoom.
Putting My SIGMA Lenses to the Ultimate Test in Antarctica
SIGMA has always made build quality a top priority, and that effort pays off with products that can withstand long-term use even in tough conditions. SIGMA Ambassador Liam Doran put that reputation to the ultimate test on a photography assignment in Antarctica, where Liam and his gear faced sub-freezing temperatures and heavy snowstorms.
SIGMA Introduces Lenses for Canon RF Mount: What You Need to Know
It’s been a long wait, but SIGMA lenses are now coming to Canon RF Mount cameras! The first six lenses have been revealed, starting with the SIGMA 18-50mm F2.8 DC DN | Contemporary, launching in July 2024.
Tips for Photographing a Solar Eclipse with SIGMA Telephoto Lenses
Solar eclipses, especially where the sun is entirely blocked, are rare occasions. So if you want to capture the moment with incredible photos, you need to be prepared! SIGMA Ambassador Jim Koepnick explains it all — from lenses to settings to location planning — to help you take eclipse photos that will make the occasion that much more memorable.
The Perfect Super 35 Combo: SIGMA Cine 18-35mm T2 and 50-100mm T2 Zoom Lenses
While full-frame has its advantages, the humble Super 35mm format has staying power with cinematographers. That’s why the SIGMA Cine 18-35mm T2 and 50-100mm T2 High Speed Zoom lenses are a great choice for all levels of Super 35 production. With this two-lens combo, filmmakers can shoot at a huge variety of focal lengths, all at a steady maximum T2, with outstanding resolving power and minimized flare and ghosting.
First Look: SIGMA 10-18mm F2.8 DC DN Contemporary Lens
Introducing the SIGMA 10-18mm F2.8 DC DN | Contemporary, the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras. Available for Sony E-mount, Fujifilm X Mount and L-Mount, it’s the essential wide lens for crop-sensor systems.
Brown Bear Photography in Alaska with the SIGMA 60-600mm DG DN OS Sports Lens
Photographing majestic brown bears in their natural habitat is an adventure that calls for the very best, but also requires one to pack light. When faced with this rare opportunity in the wilds of Alaska, outdoor photographer Liam Doran reached for the versatile SIGMA 60-600mm DG DN OS | Sports lens, our latest and greatest 10x telephoto zoom.
Now for Fujifilm X Mount: SIGMA 100-400mm F5-6.3 DG DN OS | Contemporary Lens
Outdoor photographer Liam Doran relies on the range, sharpness, and portability of the SIGMA 100-400mm DG DN OS | Contemporary lens for much of his wildlife and landscape photography. See how he puts this versatile zoom to use on a Fujifilm X Mount camera body for the first time!
The Ultimate Air Show Photography Lens: SIGMA 60-600mm F4.5-6.3 DG DN OS Sports
Aviation photography expert and SIGMA Ambassador Jim Koepnick puts the 60-600mm F4.5-6.3 DG DN OS | Sports lens to the test at the world’s biggest air show, EAA AirVenture, in his hometown of Oshkosh, Wisconsin. Check out Jim’s results and learn more about the ultimate air show telephoto zoom!