We sat down with Timur Civan, Sigma Corporation of America’s first Cine Pro, to learn more about his career, what inspires him and what things he’s looking forward to working with Sigma.
SOC Roundtable: Will Rexer and crew discuss work on the Sneaky Pete Set
Solving workflow issues on set can be a challenge, especially if you don’t have the right tools. The camera department from Amazon’s “Sneaky Pete” sat down with the S.O.C. to talk about some of the challenges the show faced and how they solved them by focusing on their gear.
Come take a deep dive with D.P. Will Rexer and team, and check out the role the Sigma Cine Primes played in their production process.
“Blur” Two lens filmmaking with the Sigma 18-35mm T2 and 50-100mm T2 High-Speed Zoom lenses
“Blur” was created for the launch of the Sigma Cine line. The fifteen minute production was filmed with just two lenses, the 18-35mm T2 and 50-100mm T2 High-speed Zoom lenses.
SIGMA 105mm F1.4 DG HSM | Art lens: First Impressions
Check out sample images and first impressions from this great new Art lens!
Exploring Abandoned Architecture with the Sigma 14-24mm F2.8 DG HSM | Art lens
Renowned UrbEx photographer Walter Arnold explores abandoned sites with the Sigma 14-24mm F2.8 DG HSM | Art lens. See his full report and stunning images!
Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary: Team Field Reports
The Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary lens has quickly founds its way into the hearts—and camera bags—of photographers everywhere.
On the water with the Sigma 100-400mm f/5-6.3 DG HSM OS Contemporary
Guest Blogger John Lincourt gives the Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary lens a field test shooting yacht racing off Newport, Rhode Island
The Elephants of Myanmar
Hi! I’m Molly Ferrill, a National Geographic Explorer with a focus on documenting wildlife and environmental issues. This week I’ll be taking over Sigma’s Instagram account with some photos from my recent project in Myanmar. People and elephants have had…
Capturing the Night Sky with SIGMA Lenses
Astrophotographer, Jack Fusco, talks about how he uses Sigma Lenses to capture the night sky.
Photographing Hawaiian Lava with Sigma 150-600mm S Lens
Photographing lava is tricky at best…dangerous at worst. Here on the Big Island of Hawaii, we have two options…go out on a boat to shoot the lava as it pours over the cliff or hang on the side of a cliff praying it will not fall away beneath you and that the next huge plume of smoke/gas and organic material will not ruin your lungs and camera gear. I choose to do both…sea and land. In this blog, I want to share how I get it done by sea.
