Seeing the seasons with the Sigma 150mm F2.8 EX DG OS HSM APO Macro

It’s now officially Autumn here in the Northern Hemisphere. The days are getting shorter and hillside stands of trees are bursting into colorful displays of crimsons and golds. Obviously, it is a great time for ultrawide landscapes to capture those sweeping vistas. But it is also prime season for packing a telephoto macro lens like the Sigma 150mm F2.8 EX DG OS HSM APO Macro to capture the grandeur and spirit of the season in its tiny details.

Fiery-colored maple seed pods after a fall rain. Canon EOS 5D and Sigma 150mm F2.8 EX DG OS HSM APO Macro 1/60 f/4.0 ISO 400, Sigma EF-610 DG Super E-TTL, angled downward for macro capture. OS activated.

There are a number of great reasons to pack this great tele macro (or add it quickly to your kit!) for fall foliage season.

The Sigma 150mm F2.8 EX DG OS HSM APO Macro employs HSM-powered internal focusing, meaning the lens barrel doesn’t extend as you zoom to higher magnifications. There are several very cool benefits of this design.

For starters, that longer working distance means less chance of your own shadow messing up your exposures. And it also means that many swivel-and-spin shoe-mount strobes such as the Sigma EF-610 DG Super E-TTL that can be angled downward can be used to illuminate your macro subjects all the way to 1:1 reproduction, instead of needing to rely on a dedicated macro ring flash.

Half-turned fallen leaf and lichen on flagstone. Canon EOS 5D and Sigma 150mm F2.8 EX DG OS HSM APO Macro. 1/200 f/2.8 ISO 400, Sigma EF-610 DG Super E-TTL, angled downward for macro capture.
Rain or morning dew can adds a great reflective and abstract element to seasonal detail shots. This silver maple leaf feels very reptilian to me. You can see the catchlights the shoe-mount strobe adds to this shallow depth of field composition. Canon EOS 5D and Sigma 150mm F2.8 EX DG OS HSM APO Macro. 1/50 f/4.0 ISO 100, Sigma EF-610 DG Super E-TTL, angled downward for macro capture. OS activated.

And with or without a shoe-mount strobe for lighting, that longer working distance is a fantastic feature for capturing insects with this telephoto macro lens. And Fall is a great time to make shots of bugs for several reasons!

As insects are cold-blooded creatures, they are generally must less active when it is cooler, so early in the morning before the heat of the day, and as the sun goes down in the afternoon, you’ll find that insects are more likely to be sitting still for longer periods of time.

This grasshopper lives in a bed of ivy in the corner of my front yard. I’ve seen it a few times over the past few days, and was able to track it through some tall grass to make some macro shots late in the day. This is one of my favorites, as it puts this little creature firmly in its environment. The telephoto reach and internal focusing of the Sigma 150mm F2.8 EX DG OS HSM APO Macro kept a working distance that didn’t panic my grass-hopping friend. Canon EOS 5D and Sigma EF-610 DG Super E-TTL, angled downward for macro capture. 1/160, F4.0 ISO 100.
A late-season dandelion puff offers a landing spot for a small house fly. It was on the cool side, and my fly subject wasn’t super-energetic, and the longer working distance also did not cause any spooking issues. My biggest struggle with this shot was fighting a light breeze that shifted the bloom–meaning a slower shutter speed would result in motion blur, and that light breeze changed the correct focal distance! But this frame is sharp right where I want it! Optical Stabilizer was activated to overcome camera shake. 1/80, F5.6 ISO 400. Canon EOS 5D, and Sigma EF-610 DG Super E-TTL, angled downward for macro capture.
Here is a 100% pixel view of a detail of the above image, showing the exceptionally shallow depth of field at macro settings on this telephoto prime lens.

And spiders continue to spin great webs. Here in my section of New Jersey, there’s a lot less orbweavers overall, but the ones that have survived all summer are now much bigger than they were a few short months back! And many wasps and hornets are very busy this time of year–and when you are thinking of shooting these dangerous insects, a longer working distance is a very, very good thing!

This orbweaver spider caught late September is much bigger than it was when I first captured it in mid-summer with the 70mm macro lens! Canon EOS 5D and Sigma 150mm F2.8 EX DG OS HSM APO Macro and EM-140 DG Macro Flash. 1/200 F18 ISO 100.

This 150mm prime is a true macro lens, but it is also an amazing portrait lens. As I was working on some of the leaf and lichen shots in my yard in this article, my young daughter started acting amazingly photogenic. With just a quick change of the focus limiter setting, I was able to go from 1:1 macros with strobe, to great casual portraits with lovely fast tele-prime bokeh and back again. Whether it’s your kids, a nearby bird, or your hiking partner, this macro lens is also amazing as a portrait tool!

The two-mode Optical Stabilizer built into this 150mm macro helps keep the frame sharp at slower shutter speeds without a tripod, for great mobility, whenever and wherever you discover great macro-scale action. This feature helped me make several of the shots in this article, as the captions explain. (For much information on making the most of Sigma’s Optical Stabilizer lens feature, check this out.)

This photo reads "Autumn" loud and clear even though there's just a sliver of pumpkin that's tack-sharp in this frame! We stopped way down to F11 to increase depth of field. We used a tripod for this shot to perfectly adjust the focus and a cable release to make sure we didn't introduce any camera shake when firing the trigger. 1/15 F11 ISO 250

Whatever the season, a dedicated telephoto macro like the Sigma 150mm F2.8 EX DG OS HSM APO Macro helps tell the story in small details writ large: twilight snowflakes bathed in bluish shadows and golden highlights as the cold winter sun fades in the west, the tiniest buds of flowers springing to life, fingers wet with grains of fine sand in high summer. When it comes to evoking seasons, the tiniest details revealed by a long macro can tell amazing stories.

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