Spots where sand, sea, and sky come together offer certain challenges to photographers, but the results can be so amazingly rewarding. Conditions can change quickly as the sun hides behind a cloud, and conditions most certainly change slowly as the tides sink and rise and the sun and moon dance across the sky. The same patch of sea may be mirror calm and reflecting golden light, or it may be a churn of furious waves. Fogs, mists, and wind-whipped sand can make for gorgeous images even as they fool camera meters. There’s a world of possibilities waiting to be captured along these edges, whenever you visit, and with whatever Sigma lens you’ve got in your bag.
The Sigma 30mm F2.8 EX DN is an Instant Classic
Now that I’ve spent a few weeks with the Sigma 30mm F2.8 EX DN paired with my trusty Olympus E-PL2, I can report that this has quickly become one of my favorite lenses for my Micro Four Thirds cameras for making both stills and videos.
The Vision and Passion of Dick Merrill
Today, Sigma officially launches three new digital cameras, the Sigma SD1 Merill, the DP1 Merill, and the DP2 Merrill. Each of these cameras wears the name “Merrill” in honor and recognition of the passion, drive and vision of Richard “Dick” Merrill, a founding father of the Foveon sensor that is at the heart of Sigma’s Digital cameras.
A Tale of Two Time Lapse Videos
Here’s the takeaway in one sentence: Sigma Ultrawide zoom lenses and Dynamic Perception’s Stage Zero Dolly kit are a potent combination for making killer time lapse videos, whatever your visions happen to be.
Sigma Launches DN Lens Line With Two F2.8 Primes
Sigma has just announced the Digital Neo line of lenses for compact interchangeable lens cameras with a worldwide announcement launching as CES 2012 gets underway out in Las Vegas. The relatively small physical size of the 19mm F2.8 EX DN and 30mm mm F2.8 EX DN notwithstanding, this is is big news for us!
Sigma SD1 and SD15 for Digital Infrared Photography
Infrared photography involves capturing light at wavelengths beyond the visible spectrum. Infrared energy is reflected quite differently than we are accustomed to by many organic and inorganic surfaces, and the results of landscapes bathed in infrared light has long been a favorite style of photography for fine art photographers since the silver halide days of centuries past. A unique design advantage of Sigma’s DSLRs allows creative photographers to quickly and easily swap between visible spectrum and infrared photography.
What’s on your wish list?
Head on over to Sigma Corporation of America’s Facebook page this holiday season for a chance to win your choice of amazing Sigma lenses, cameras, and flashes in our “Dear Sigma” contest!
Seeing the seasons with the Sigma 150mm F2.8 EX DG OS HSM APO Macro
It’s now officially Autumn here in the Northern Hemisphere. The days are getting shorter and hillside stands of trees are bursting into colorful displays of crimsons and golds. Obviously, it is a great time for ultrawide landscapes to capture those sweeping vistas. But it is also prime season for packing a telephoto macro lens like the Sigma 150mm F2.8 EX DG OS HSM APO Macro to capture the grandeur and spirit of the season in its tiny details.
Sigma SD1: On Location with Robert Lopshire
by Jack Howard A while back, I had an idea for a blog posting involving models, the Sigma SD1, social media connections, and a Sigma fan who’d never touched the Sigma SD1 before. I wanted to see what sort of…
Understanding Optical Stabilization
Many lenses in the Sigma line feature Optical Stabilization, which is a great feature for helping photographers nail sharp shots when camera shake may be an issue.