Exploring the Rockies with the Sigma 18-300mm Contemporary Lens

The temperature has warmed, the passes are free of snow and the wildflowers are peaking. Summer in the Colorado Rockies is as stunning as it is brief. One of the best ways to experience the rustic beauty of the back…

Taking a Trip to Namibia with Sigma Lenses

Our friend Dion Scoppettuolo recently returned from an epic Safari and adventure in Etosha National Park in Namibia, Okonjima Game Reserve in Namibia and the Namibian Desert. The Sigma 18-300mm F3.5-6.3 DC MACRO OS HSM and 150-600mm F5-6.3 DG OS HSM Contemporary lenses were…

SIGMA 105mm F1.4 DG HSM | Art lens: First Impressions

Check out sample images and first impressions from this great new Art lens!

5 Tips for Photographing the Aurora Borealis

Photographing the aurora can be one of the most exciting opportunities a landscape photographer can come across. People most commonly travel to Northern locations from all over for a chance to see them in what can often be a once…

Exploring Red Rock Canyon with Sigma Lenses

For many, the glitz and glamour of the Las Vegas strip make it the perfect destination. On the other end, many landscape travelers go to Vegas because it’s the nearest airport to Death Valley, Grand Canyon, Bryce Canyon and many…

SIGMA 16mm F1.4 DC DN | Contemporary E mount Lens Review

There are many awards and praises that can be given to an outstanding lens. The biggest one I can give is keep that lens mounted on my camera and use it every day. The new SIGMA 16mm F1.4 DC DN…

LENS EXPLORATION: 85mm F1.4 DG HSM

What’s bright, gives wonderful, round bokeh and is perfect for portraits, sports, street and product photography? Give up?

It’s Sigma’s 85mm f/1.4 EX DG HSM lens. This beauty fits on both full frame and cropped sensor cameras.

The ideal portrait focal length is said to be twice to two and a half times the normal focal length. So before diving into the 85 let’s take a look at focal length and what it means in regards to sensor size. First, here’s a definition or two.