It’s a bit risky for the world’s top ski magazine to run a shot of skis travelling through the desert as the opener, but I’m glad they did…and it’s great to see a previsualized shot come to life just as you imagined it!
The greatest thing about interchangeable camera lenses is the variety of optical designs, from ultrawide to supertelephoto and everything in between, that offer an incredible amount of variety for visual expression, creativity, and optical performance optimized for different photographic situations. And while it may be sometimes completely and totally obvious what types of photography a certain lens excels at—for example, everyone knows that Macros are designed to capture close-up details; telephoto lenses are great for long-reach wildlife and sports from the sidelines—many styles of camera lenses have lesser-known secret superpowers that can be called upon to make a photo. Let’s take a look!
I had the opportunity to spend a few days in Michigan’s Upper Peninsula. I was doing some presentations in Kalamazoo […]
For this year’s gift guide, we asked our Sigma Pros to recommend some of their favorite gear. This crew of amazingly talented and hard-working photographers each focuses on a different specialty and has their own individual style, and they’ve all got their favorite Sigma gear. Check out these great reasons why our pros choose to use Sigma lenses and cameras.
Yellowstone National Park and Grand Teton National Park have to be the premier nature photography location in the lower 48 states. Subjects range from stunning and otherworldly landscapes to abundant free roaming wildlife. The best time to visit the parks is either in early spring (June) or my favorite time of year in late September to early October as the leaves start to change. The large summer crowds are gone and the park takes on a much slower pace, as it gets ready for the approaching winter. The image above is of the Teton Range just off the outside road. This image is at first light and I used a Singh-Ray, 3 stop, reverse graduated neutral density filter to help balance the foreground with the much lighter sky and mountain range.
Iceland has long been on my list of photography destinations so I was very excited to finally get a chance to explore the country as well as try out the Sigma 12-24mm. The landscapes were just breathtaking and I got an opportunity to photograph the many waterfalls of the country. The lens quickly proved itself as I was able to compose and recompose quickly given that I was often very close to the falls! One of my favorites is a triple waterfall near Mt. Kirkjufell (shown above). While I normally use split neutral density filters to balance a scene, I decided instead to blend two exposures (one for the sky and one for the foreground) because of the mountain protruding on the right hand side. A split ND filter would have unnaturally darkened Mt. Kirkjufell so an exposure blend was the best option in this case.
One of the benefits for outdoor sports shooters on APS-C sensors is the gain in reach with telephotos lenses. The negative of course is that now your wide angle 16mm is now not so wide at 25.6mm. Thankfully Sigma has a great wide-angle lens perfect for crop sensor shooters…the 10-20mm f3.5! I picked up this lens about a year ago and have shot outdoor sports and adventure travel with it extensively.
This week’s Fan Photo of the Week was made by Liam Doran with the Sigma 10-20mm F3.5 EX DG HSM lens
Halloween can be an amazing time to make all sorts of cool photos. Between the Jack O’Lanterns, people of all ages in silly or scary costumes, and haunted houses, there’s something great to shoot pretty much everywhere you turn.It’s also a great time of year to throw so many of the hard and fast guidelines of photography aside and have some fun by breaking some rules, and employing some cool photo tricks to make Halloween photos that’ll turn some heads. In this blog posting, we’re going to have some fun and give you some ideas on how to capture the spirit of the season.