Sigma Corporation of America employees share some of their favorite shots captured with the 100-400mm DG DN OS Contemporary lens.
The 70-200mm F2.8 lens has been in most pros’ arsenals seemingly since the beginning of time, and the SIGMA 70-200mm F2.8 DG OS HSM Sports is definitely a lens that I want in mine.
To check out just how well the SIGMA 100-400mm DG DN OS Contemporary performs, I decided to take it out to the most difficult situation I could think of… a dog sporting event in Southern California in the dead of summer.
A zoom lens is a type of camera lens that offers the photographer a useful range of different focal lengths in a single lens. SIGMA offers a wide variety of zoom lenses, ranging from wide-angle zooms, super telephoto zoom lenses, and standard zoom lenses designed for everyday use.
The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary lens is best described as versatile . At just four inches long in the camera bag, and weighing just over a pound, this small lens covers wide angle to supertele, plus macro.
Last year, Sigma announced a pair of zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal lengths and apertures, and advanced feature sets including the Sigma-exclusive lens customization, these two new champion zoom lenses share a significant amount of DNA. So, what is the difference between the Sports and Contemporary version of the Sigma 150-600mm zoom lenses?
The Sigma 150-600mm F5-6.3 DG OS HSM | Sports has been generating a ton of buzz since its announcement at photokina in September 2014. This Sports update of the 150-500mm supertelephoto zoom lens is one of two 150-600mm zoom lenses announced at the show, along with the 150-600mm DG OS HSM | Contemporary.
The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary is the newest all-in-one camera lens in the Sigma lineup, and offers a high 16.6x zoom ratio, 1:3 macro magnification, Optical Stabilizer, in a lens that covers wide angle to supertelephoto in a single, lightweight lens.
What a difference a couple of years makes!
Two years ago, we were gearing up for PhotoPlus, just days after the announcement of the Sigma Global Vision at photokina 2012. We were preparing ourselves for discussions and briefings to explain the philosophy behind the three new lines being offered.
At that time, many photographers and technical editors were confused as to what Art, Sports, and Contemporary was meant to convey in a lens name. We spent a lot of time that fall explaining the way that Sigma is rethinking lenses and how this relates to the three new lens markings.