Blue Angels Photography with the SIGMA 150-600mm F5-6.3 DG OS HSM | Sports lens

Editor’s Note: The SIGMA 150-600mm F5-6.3 DG OS HSM | Sports lens has since been discontinued. However, it’s sister lens, the 150-600mm F5-6.3 DG OS HSM | Contemporary, is still in production along with the 150-600mm F5-6.3 DG DN OS…

Sigma 120-300mm F2.8 for Classic Winter Sports

The Sigma 120-300mm F2.8 is field tested in snowy, cold, conditions for luge at Lake Placid, New York.

Sports or Contemporary: Which SIGMA 150-600mm F5-6.3 Zoom Lens is Right for You?

SIGMA once offered a pair of hyper-telephoto zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal length and apertures, and advanced feature sets including SIGMA’s exclusive lens customization, these two zoom lenses share champion DNA. What is the difference between the Sports and Contemporary version of the SIGMA 150-600mm zoom lenses?

Big Field, Big Lens – Shooting Professional Baseball with the Sigma 150-600mm Sport Lens

As a member of the Sigma Pro Team, it’s always Christmas with new lenses arriving for me to play with. When the Sigma 150-600mm F5-6.3 DG OS HSM | Sports lens showed up at the door like a baby being…

The SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary versus the 150-600mm F5-6.3 DG OS HSM | Sports

Last year, Sigma announced a pair of zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal lengths and apertures, and advanced feature sets including the Sigma-exclusive lens customization, these two new champion zoom lenses share a significant amount of DNA. So, what is the difference between the Sports and Contemporary version of the Sigma 150-600mm zoom lenses?

A Long Look at Winter with the 150-600mm F5-6.3 DG HSM OS | Sports

Photography in winter can be a challenge. And when I say “winter”, I’m not talking of winter in the sense of majestic snowcapped peaks framed by freshly powdered pines with perfect golden light and firetone brushstroke clouds, I’m talking more of the winter of dirty refrozen slushpiles downtown three frigid days after a mid-January sleetstorm around 11:17 on a grey Tuesday morning when it seems there’s nothing magical left in the world worth getting out of warm car with a camera for.

Winter has its challenges, for sure, especially in the deciduous zones, where skeleton trees thrust bony fingers at the sky, and vistas and sweeping wild scenes are brushed widely with swaths of stingy browns and grays, instead of the festive pastels of spring, the lush greens of summer and the fall fireworks palette. But winter has it own charms and own rewards, and for photographers looking to challenge themselves and experiment, it can be a great time to get out and explore with a long lens, like the new 150-600mm F5-6.3 DG HSM OS | Sports lens.

Sigma 150-600mm F5-6.3 | Sports: Hands-On

The Sigma 150-600mm F5-6.3 DG OS HSM | Sports has been generating a ton of buzz since its announcement at photokina in September 2014. This Sports update of the 150-500mm supertelephoto zoom lens is one of two 150-600mm zoom lenses announced at the show, along with the 150-600mm DG OS HSM | Contemporary.

Sigma Global Vision: The Journey Continues

What a difference a couple of years makes!

Two years ago, we were gearing up for PhotoPlus, just days after the announcement of the Sigma Global Vision at photokina 2012. We were preparing ourselves for discussions and briefings to explain the philosophy behind the three new lines being offered.

At that time, many photographers and technical editors were confused as to what Art, Sports, and Contemporary was meant to convey in a lens name. We spent a lot of time that fall explaining the way that Sigma is rethinking lenses and how this relates to the three new lens markings.

Sigma 120-300mm F2.8 DG OS HSM | Sports: Hands-On

There’s so much to love about the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens, the third iteration of this unique fast-aperture telephoto zoom lens that pairs the performance of a 300mm F2.8 with the versatility of a constant-aperture zoom for quickly adjusting the composition.