If you’ve ever read a ski magazine, you’ve probably seen photos of Sven Brunso careening down a picturesque mountainside. And for the past 10 years, most of those amazing action shots were taken with SIGMA lenses. Now, Sven is calling it a career, and SIGMA once again plays a part in telling his story as the exclusive lens provider of the short film “Sven: Life in Front of the Lens”.
Putting My SIGMA Lenses to the Ultimate Test in Antarctica
SIGMA has always made build quality a top priority, and that effort pays off with products that can withstand long-term use even in tough conditions. SIGMA Ambassador Liam Doran put that reputation to the ultimate test on a photography assignment in Antarctica, where Liam and his gear faced sub-freezing temperatures and heavy snowstorms.
Epic Ski Photography in the Arctic Circle with SIGMA Zoom Lenses
On assignment in Norway, photographer Liam Doran takes three SIGMA zoom lenses to capture ski action with a majestic backdrop of mountains, forests and icy fjords. Learn more about his gear of choice, and how he was able to shoot some of his most epic images!
Sigma 12-24mm F4 DG HSM | Art: On-mountain field report
Sigma Pro Liam Doran gives a first-look account at the new Sigma 12-24mm F4 DG HSM | Art lens for on-mountain winter sports photography. Check out the video to hear his thoughts and to see a sampling of his first shots with this great new ultrawide full-frame constant-aperture Art zoom lens!
Shooting in Adirondacks with the Sigma 150-600mm Lens
Upon receiving the Sigma 150-600mm f/5-6.3 Sport lens last winter, I was anxious to see if the lens could perform as well as many of the favorable reviews it has received stated. With New York’s Adirondack Park as my backyard, I am fairly demanding of my photography equipment, as it is exposed to some pretty harsh conditions.
European Ski Adventures with the Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | C
Capture the action and tell the story with Sigma’s new all-in-one lens, the 18-300mm F3.5-6.3 DGC OS HSM Macro | Contemporary lens.
Behind the Shot: Ski’s Eye View of Monument Valley
It’s a bit risky for the world’s top ski magazine to run a shot of skis travelling through the desert as the opener, but I’m glad they did…and it’s great to see a previsualized shot come to life just as you imagined it!