“Blur” was created for the launch of the Sigma Cine line. The fifteen minute production was filmed with just two lenses, the 18-35mm T2 and 50-100mm T2 High-speed Zoom lenses.
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Cinematographer Chuck France explains how the Sigma 18-35mm T2 and 50-100mm T2 High-Speed Zoom lenses helped create the distinctive look and feel of Dogwood Pass: The Series on an incredibly tight budget and timeline.
With it’s introduction back in 2013, the Sigma 18-35mm f1.8 DC HSM | Art lens took the photography world by storm as the first wide angle zoom with a 1.8 aperture. A wide angle has it’s place in sports photography, albeit on a more limited scale than my go to sports lens, the Sigma 120-300mm f2.8 DG OS HSM lens.
In the last few weeks I have had the chance to travel with Sigma’s 18-35mm F1.8 lens to New Jersey, Las Vegas and Chicago. The lens was put through the tests on a Canon 7D, 50D, and 60D. I was so intrigued by the lens that as a full-frame shooter, I went and found a cropped sensor camera just to use it. It was well worth it.
Photographers and videographers have been raving about the world’s first constant aperture F1.8 zoom lens, the Sigma 18-35mm F1.8 DC HSM | Art lens since it was originally announced earlier this year, for both its groundbreaking maximum aperture, and its incredible prime-like performance, even wide open at an amazing price. It rocked the charts on DXOMark, besting top-shelf primes at comparable focal lengths, been recognized with a POP Award from PopPhoto.com, and a Gold award from DPReview, among other accolades.
Exploring the world through the Sigma 18-35mm F1.8 DC HSM | Art lens on the hunt for varying colors and textures, and levels sharpness and blur can create images that are at once new, and yet instantly recognizable. Close-up focusing on a pumpkin, for example, gives a shallow slice of sharpness, and lovely focus fall-off in a composition that’s pure seasonal color. And a single turning leaf backlit by the sun tells the story of autumn in a very different way than a sweeping vista of an entire hillside.
We’ve just announced the world’s first F1.8 constant aperture zoom lens, the Sigma 18-35mm F1.8 DC HSM | Art lens, and I’ll readily admit, we on the Sigma Corporation of America team have been just as excited about this lens leading up to launch as photographers have been since it was officially announced in the wee hours of April 18th. And now that I’ve spent some time with my hands on a preproduction version of the lens paired with my Sigma SD1, I, truly cannot wait ’til this lens starts shipping and I can share high-resolution end result photos! Today we’re going to focus on what we can talk about–the hand feel, build quality, and such of this brand new lens designed specifically for APS-C DSLRs.
SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.
Have you seen photographs of hot air balloons and wished you too could photograph these colorful floating air crafts? Now in its 38th year, the Festival of Balloons in Tigard, OR is a great place to see these amazing balloons…
Join the industry experts as they explore the differences between Super 35 and Full Frame, the science behind large format lenses, and how the correct lens can be one of a filmmaker’s most effective storytelling tools.