There are plenty of sensible reasons to walk around Tokyo with a camera, but none of them explain why your heart beats faster the moment you wander into a seedy little back alley and instinctively flip to black and white. A rooftop observatory gives you the skyline; your Sigma BF with the 35mm F2 DG I Contemporary gives you the city’s secrets. Guess which one is more fun.

Sigma 35mm F2 DG | Contemporary
F6.3, 1/400s, ISO 640

Why Black and White Loves Old Tokyo
Color Tokyo is loud: convenience-store blues, pachinko reds, café latte beiges. Black and white Tokyo, especially in those gritty streets, whispers instead of shouts. With a 35mm on a full-frame sensor, you see just enough of the scene to feel immersed but not overwhelmed – like you’re walking through a film set instead of a tourist brochure. This camera and lens combination’s crisp rendering lets every crack in the wall and every drooping power line stand out like supporting actors.
The 35mm Stroll: One Focal Length, Infinite Stories
There’s something comically honest about committing to 35mm for the entire day. No zoom, no excuses – just your feet, your instincts, and a lens that’s sharp enough to reveal every speck of city dust. You turn a corner, and there it is: a narrow alley with overlapping signs, crooked poles, and a single bicycle clinging to life. At 35mm, you can step just close enough to make the clutter feel intimate rather than messy, transforming that gritty chaos into deliberate composition.

Sigma 35mm F2 DG | Contemporary
F5.6, 1/250s, ISO 500
The Emotional Weight of Nostalgia
The Sigma BF and 35mm F2 DG I Contemporary combo lets you work fast enough to catch these fleeting scenes, but the decision to go black and white turns them into emotional time capsules. Years later, you won’t remember the exact street name, but you’ll remember the weight of the air, the sound of distant traffic, and the feeling that time was moving a little slower in that pocket of the city.

Sigma 35mm F2 DG | Contemporary
F6.3, 1/1000s, ISO 320
The Ridiculous, Wonderful Joy of It All
In the end, the joy of photographing old, nostalgic Tokyo in black and white with your Sigma BF and 35mm F2 DG I Contemporary is wonderfully out of proportion to what you’re actually doing. You’re wandering, staring at walls, getting excited about a rusty staircase like it’s a celebrity sighting. You’re framing plastic buckets, crooked lanterns, and half-closed shutters as if they’re museum pieces. The joy isn’t just in the shot; it’s in the quiet moment you realize, “I’m photographing the present, but it already feels like memory.”

The importance sneaks up on you later. Tokyo is relentless about replacing the old with the new; the shabby bar you loved today might be a sleek café by next year. Your black and white images become tiny time machines: proof that the chaotic, the run-down, and the somehow nostalgic once stood exactly there.
With a small lens, a light camera, and a slightly unhealthy enthusiasm for rusty staircases, you’re doing something oddly tender – you’re giving the city’s most fragile, unpolished corners the one thing they rarely get: a careful look and a permanent place in someone’s story.

Capture your own town with your favorite color palette







