I think one of the most important things I’ve learned in creating imagery with an impact is to anticipate what could happen next. I do this when I’m photographing children, although I never really know what’s going to happen, I do know that something will happen.
Early December I found myself in Oahu, Hawaii on the north shore of the Island photographing the Pipeline Master’s Competition. This is an International surfing competition that is by far one of the most exciting events I’ve had an opportunity to photograph.
Using Sigma’s 18-250mm lens, I choose a very fast shutter speed at 1/2000 sec, F9.0 aperture and then compensated for additional light with an ISO of 640. These settings were all geared to make sure that my images were tact sharp and that I could stop the action while still getting an almost perfect exposure. Sigma’s 18-250 lens responded perfectly to the fast speed I was using and even from that distance, the images were crystal clear. During the early morning hours, just as the sun was coming up, my settings varied from ISO 160-640. My aperture and shutter speed also changed from F 7.1 at the lowest to my shutter speed set at a minimum of 640.
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After a long winter of heavy shooting and endless travel on assignment I usually take a few weeks of late […]
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In most of my sessions, I’m always trying to stop the action of my subjects rather than show the movement. I would say the majority of my clients prefer to see sharp images of themselves and of their children. Sometimes the imagery, for me, feels a little bit static. So when I had the opportunity to photograph the Keeneland Races in Kentucky a few months ago, I decided to do something a little bit different and create some images with movement in them by slowing down my shutter speed to create the feeling of moving along with the subject. This creates a very soft image, but it still has enough detail that you can see what is happening. I found that it takes a lot of practice to get it right, or at least get close enough to create the illusion of movement. Recently, I have started to look for opportunities to do this in my work. As a professional photographer, I want to raise the bar for myself and be able to show my range of abilities by creating different effects in my work. Capturing the moment is still the most important aspect of my storytelling imagery, but how I do that is what I’m trying to change.
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