In the last few weeks I have had the chance to travel with Sigma’s 18-35mm F1.8 lens to New Jersey, Las Vegas and Chicago. The lens was put through the tests on a Canon 7D, 50D, and 60D. I was so intrigued by the lens that as a full-frame shooter, I went and found a cropped sensor camera just to use it. It was well worth it.
Photographers and videographers have been raving about the world’s first constant aperture F1.8 zoom lens, the Sigma 18-35mm F1.8 DC HSM | Art lens since it was originally announced earlier this year, for both its groundbreaking maximum aperture, and its incredible prime-like performance, even wide open at an amazing price. It rocked the charts on DXOMark, besting top-shelf primes at comparable focal lengths, been recognized with a POP Award from PopPhoto.com, and a Gold award from DPReview, among other accolades.
Exploring the world through the Sigma 18-35mm F1.8 DC HSM | Art lens on the hunt for varying colors and textures, and levels sharpness and blur can create images that are at once new, and yet instantly recognizable. Close-up focusing on a pumpkin, for example, gives a shallow slice of sharpness, and lovely focus fall-off in a composition that’s pure seasonal color. And a single turning leaf backlit by the sun tells the story of autumn in a very different way than a sweeping vista of an entire hillside.
Just four short weeks ago Fedex showed up at my door with a shiny new Sigma 18-35mm f1.8 Art lens. […]
We’ve just announced the world’s first F1.8 constant aperture zoom lens, the Sigma 18-35mm F1.8 DC HSM | Art lens, and I’ll readily admit, we on the Sigma Corporation of America team have been just as excited about this lens leading up to launch as photographers have been since it was officially announced in the wee hours of April 18th. And now that I’ve spent some time with my hands on a preproduction version of the lens paired with my Sigma SD1, I, truly cannot wait ’til this lens starts shipping and I can share high-resolution end result photos! Today we’re going to focus on what we can talk about–the hand feel, build quality, and such of this brand new lens designed specifically for APS-C DSLRs.
What is the perfect camera lens for my new Canon EOS Rebel camera for travel? What camera lens should I […]
Motes “Freeway” by Swede Films was captured through the Sigma 50mm F1.4 DG HSM |Art lens and the 18-35mm F1.8 DC HSM | Art lens on a Black Magic Cinema Camera. We talk with the filmmaker about his experience crafting this music video with these two Art lenses.
Philip Wen, of Redondo Beach, California, is our #SigmaSuperFan for August! A hobbyist who originally picked up a DSLR upon learning he’d be a father, he owns a number of Sigma lenses including the 10-20mm, 30mm F1.4 EX DG HSM and the 35mm F1.4 DG HSM | Art lens, which he uses to capture special moments in his family’s life. We spent a few minutes talking to the newest member of the SuperFan Winner’s Circle.
The Sigma 24-35mm F2 DG HSM | Art is the world’s first full-frame zoom lens with a constant F2 maximum aperture, and its 1.45x zoom range manages to bridge three of the most popular wide angle fixed focal lengths for lenses: 24mm, 28mm and 35mm. The zoom range is subtle, but the compositional effects are noticeable as the smooth zoom ring shifts the field of view from 24mm through to 35mm.