New York Whale Watching with the Sigma 150-500mm F5-6.3 lens. Top tips for capturing great photos of humpback whales off New York City.
The greatest thing about interchangeable camera lenses is the variety of optical designs, from ultrawide to supertelephoto and everything in between, that offer an incredible amount of variety for visual expression, creativity, and optical performance optimized for different photographic situations. And while it may be sometimes completely and totally obvious what types of photography a certain lens excels at—for example, everyone knows that Macros are designed to capture close-up details; telephoto lenses are great for long-reach wildlife and sports from the sidelines—many styles of camera lenses have lesser-known secret superpowers that can be called upon to make a photo. Let’s take a look!
Our new video quicktips for photographers series offers advice for anyone who is looking to understand more about the techniques and technology that can help them make better pictures. Each episode is just a few minutes long and looks to explain and offer advice in an easy-to-grasp way. Check back all month long as we add new episodes to this series.
The Sigma 150-500mm F5-6.3 zoom lens offers great versatatility and reach in a compact package, perfect for on-the-go wildlife and birding phtoography.
The Sigma 180mm F2.8 EX DG OS HSM Macro lens is the biggest, longest macro lens in the Sigma lens catalog. This telephoto lens offers true life-sized reproduction with a 1:1 maximum magnification ratio. Incredible sharpness—thanks to its state of the art optical design—Optical Stabilizer, and a three-zone focus limiter make this a serious lens for advanced macro photographers.
Tried and true comes to mind when thinking about the Sigma 150-500mm APO F5-6.3 DG HSM OS. A staple in Sigma’s lineup, it’s ideal for all sorts of photography but truly excelling in nature photography, wildlife photography and sports photography.…
Prime lenses are designed for exceptional imaging at a single focal length. Unlike zoom lenses that easily span a given focal range and variable field of view with a twist of the zoom ring, the field of view and focal length remains constant. If you want to take in less of the surroundings with a given prime lens, you’ve got to physically move closer, and to take in more of the scene, you’ve got to back up. But of course, as you move, the angle of view remains the same all the while.
There’s so much to love about the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens, the third iteration of this unique fast-aperture telephoto zoom lens that pairs the performance of a 300mm F2.8 with the versatility of a constant-aperture zoom for quickly adjusting the composition.
When traveling as light as possible while maximizing versatility, an all-in-one zoom lens like the new Sigma 18-250mm F3.5-6.3 is a great choice. This recently redesigned lens is built specifically for DSLRs with the smaller APS-C sensors, and now adds 1:2.9 macro capture for even more flexibility and creativity in an even more compact package than its predecessor.
This past month, I was lucky enough to visit two amazing birding hotspots with the Sigma 120-400mm F4.5-5.6. Now, after shooting with this compact, long-reach tele zoom, I’ve got to say that is has quickly become one of my favorite lenses in the Sigma lineup for its fantastic combination of reach, range and amazing sharpness in a very compact package–under four pounds and just eight inches long.