Action sport photographer, Liam Doran, shows how he uses Sigma lenses when he shoots editorial photos with negative spaces.
There’s a chill in the air and the ground is covered with crisp Autumn leaves. It must be football season. […]
When all the elements fall info place during a photo session you can find yourself a lot more than just a couple of high quality single images but instead can find that you have captured a series of images that illustrates some really interesting action. Combining multiple images into a single action sequence image can give you a creative eye opening image that can really surprise viewers.
Over the last few months I have been testing the newest version of the Sigma’s 120-300 f/2.8. I have nothing but good experiences with the older version of this lens so I have been looking forward to working with this lens over the winter and spring at home in Southern California. So far my experiences have changed my view of this lens, the newest version of the 120-300 f/2.8. The previous version was good. I found that this latest version has quick and accurate autofocus; the image quality is superb and the focal range excellent for nature photography.
One of our key missions here with the No Fear Photography blog postings is to teach photographers to take more creative control of their cameras in order to make stronger photos because taking the camera off full-auto-everything puts the power of shutter speeds, ISO and F-stops firmly in your hands. There’s many more variables, too, such as white balance, single/continuous Autofocus or manual focus, and so on to be tweaked and tuned. And the more controls you adjust, the more chance there is, that at some point in your photography, you are going to miss a shot due to operator error.
Many times I’ve been asked on Facebook and elsewhere if it is possible for a photographer to keep their favorite Sigma lens and get a lens mount swap after making the decision to switch from one camera to the next, and now, finally, I can answer them with the answer they (and I) want to hear! As of September 2, 2013, owners of lenses in Sigma’s line of the Sigma Global Vision lenses: Art, Sports, and Contemporary, can now send their lenses in for a mount swap. This is a paid service, and lenses will be shipped to our Aizu, Japan factory for the mount conversion
This week’s Fan Photo of the Week was made with the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens paired with a Nikon D3 by Jack Mancini.