This has been a summer of fun and exploration. Going to different places, and seeing things with new eyes makes me feel alive. I was lucky enough to have a Sigma 24-35mm F2 Art lens along for the ride. This lens is so…
Exploring the Rockies with the Sigma 18-300mm Contemporary Lens
The temperature has warmed, the passes are free of snow and the wildflowers are peaking. Summer in the Colorado Rockies is as stunning as it is brief. One of the best ways to experience the rustic beauty of the back…
5 Tips for Photographing the Aurora Borealis
Photographing the aurora can be one of the most exciting opportunities a landscape photographer can come across. People most commonly travel to Northern locations from all over for a chance to see them in what can often be a once…
Exploring Red Rock Canyon with Sigma Lenses
For many, the glitz and glamour of the Las Vegas strip make it the perfect destination. On the other end, many landscape travelers go to Vegas because it’s the nearest airport to Death Valley, Grand Canyon, Bryce Canyon and many…
SIGMA 14-24mm F2.8 DG HSM | Art: First Look Hands-On Review
The Sigma 14-24mm F2.8 DG HSM | Art lens is an outstanding fast-aperture, constant aperture ultra wide to wide angle full-frame zoom lens.
Hands-On: Sigma 14mm F1.8 DG HSM | Art
The Sigma 14mm F1.8 DG HSM | Art lens is a fast-aperture prime lens taking in a sweeping 114.2º angle of view with impressive edge to edge sharpness.
Sigma 100-400 C- The powerful, portable telephoto lens solution for back-country photographers
Pro photographer Liam Doran tests out the new Sigma 100-400mm F5-6.3 DG OS HSM | C lens for wildlife, action sports, and stunning vistas.
The Sigma 18-300mm F3.5-6.3 | C lens is Always Ready For Anything!
The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary lens is best described as versatile . At just four inches long in the camera bag, and weighing just over a pound, this small lens covers wide angle to supertele, plus macro.
Behind the Shot: Ski’s Eye View of Monument Valley
It’s a bit risky for the world’s top ski magazine to run a shot of skis travelling through the desert as the opener, but I’m glad they did…and it’s great to see a previsualized shot come to life just as you imagined it!
Adirondack landscapes with Sigma lenses
By John DiGiacomo This year while photographing fall foliage in New York’s Adirondack State Park, I added two versatile Sigma lenses to my arsenal: The Sigma 24-105mm F4 DG Art lens and the Sigma 12-24mm F4.5-5.6 II DG lens. This…