Cinematographer Chuck France explains how the Sigma 18-35mm T2 and 50-100mm T2 High-Speed Zoom lenses helped create the distinctive look and feel of Dogwood Pass: The Series on an incredibly tight budget and timeline.
Taking Photos for Take Your Child to Work Day
By Avery Howard This is a special guest blog post written and photographed by Avery Howard, 2nd grade daughter of Sigma’s chief blogger/tech editor, Jack Howard, for “National Take Your Child to Work Day” The first concept we got to…
Getting the Shot with the “Sigmonster”
Guest post by Scott Bourne, founder of Photofocus.com Around 20 years ago, I saw an image by a friend that contained a lake full of cranes and geese, backlit by a blazing, golden sun. The image struck me to the…
Motes “Freeway” by Swede Films: Filmed with Sigma Art lenses
Motes “Freeway” by Swede Films was captured through the Sigma 50mm F1.4 DG HSM |Art lens and the 18-35mm F1.8 DC HSM | Art lens on a Black Magic Cinema Camera. We talk with the filmmaker about his experience crafting this music video with these two Art lenses.