While full-frame has its advantages, the humble Super 35mm format has staying power with cinematographers. That’s why the SIGMA Cine 18-35mm T2 and 50-100mm T2 High Speed Zoom lenses are a great choice for all levels of Super 35 production. With this two-lens combo, filmmakers can shoot at a huge variety of focal lengths, all at a steady maximum T2, with outstanding resolving power and minimized flare and ghosting.
Hollywood, You’re Looking Good – 37th Annual ASC Awards
Join in on the fun and watch the 37th Annual American Society of Cinematographer Awards 2023.
Making Magic on the Set of Dimension 20: Neverafter
SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.
Language of Lenses: 28mm vs 35mm vs 40mm
DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
Aerial Camera Operating with Dan Godar
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
Tips for Filming in the Snow
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Shooting a Film with One Lens
Rubidium Wu explains what you need to consider when shooting a film with just one lens.
Sigma Cine or Sigma Art lenses for Video Productions?
As Sigma’s dedicated Cine Tech Rep, one of the most common questions I get is why should I use a dedicated Cine lens instead of the Still Art lens when the Cine version cost so much more?