DP Niki Waltl speaks about his work on the Oscar-winning documentary “Navalny” and why it was successful, thanks in part to his choice of SIGMA CINE lenses.
Hollywood, You’re Looking Good – 37th Annual ASC Awards
Join in on the fun and watch the 37th Annual American Society of Cinematographer Awards 2023.
First look: SIGMA CINE 65mm T1.5 FF High Speed + 65mm T2.5 Classic Prime Lenses
SIGMA CINE Ambassador Graham Sheldon captures beautiful cinematic footage on his first outing with the 65mm T1.5 FF High Speed and 65mm T2.5 FF Classic lenses.
Making Magic on the Set of Dimension 20: Neverafter
SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.
Top Gun Maverick: SIGMA on Set
Read about cinematographer Claudio Miranda’s experience using SIGMA CINE lenses on Top Gun: Maverick.
SIGMA University Student Q&A – Audrey Biche, American Film Institute
Audrey Biche, a student at the American Film Institute, discusses her journey as a budding cinematographer, and how she took a turn at still photography to enter SIGMA’s 60th Anniversary contest.
SIGMA University Student Q&A – Sofia Ayerdi, California State University Northridge
Winner of the “Honor” category, California State University Northridge student Sofia Ayerditalks about the power of storytelling, advice for aspiring film students, and her experience working at The Oscars.
Behind the Scenes of ‘Human Crime’, the Pixies’ New Music Video: Shot on SIGMA fp
Go behind the scenes with Pixies bass player (and director) Paz Lenchantin and DP Joe Rubinstein, and learn how they used the SIGMA fp to film the legendary alternative band’s latest music video.
Cinematography in Tight Spaces: Trees of Peace
Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.
Virtual Production and Cinematography
We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.