First look: SIGMA CINE 65mm T1.5 FF High Speed + 65mm T2.5 Classic Prime Lenses

SIGMA CINE Ambassador Graham Sheldon captures beautiful cinematic footage on his first outing with the 65mm T1.5 FF High Speed and 65mm T2.5 FF Classic lenses.

SIGMA 2022 “Gear in Review”

Take a look at the new lenses SIGMA revealed in 2022, from the latest Art line releases to the exciting introduction of X Mount to our lineup.

Making Magic on the Set of Dimension 20: Neverafter

SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.

Top Gun Maverick: SIGMA on Set

Read about cinematographer Claudio Miranda’s experience using SIGMA CINE lenses on Top Gun: Maverick.

Behind the Scenes of ‘Human Crime’, the Pixies’ New Music Video: Shot on SIGMA fp

Go behind the scenes with Pixies bass player (and director) Paz Lenchantin and DP Joe Rubinstein, and learn how they used the SIGMA fp to film the legendary alternative band’s latest music video.

Cinematography in Tight Spaces: Trees of Peace

Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.

Virtual Production and Cinematography

We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.

Language of Lenses: 28mm vs 35mm vs 40mm

DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.

Aerial Camera Operating with Dan Godar

With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.

Tips for Filming in the Snow

Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties