SIGMA Ambassador Graham Sheldon explains how he was able to capture the magic, hilarity and drama of the latest season of Dimension 20 from behind the camera.
Top Gun Maverick: SIGMA on Set
Read about cinematographer Claudio Miranda’s experience using SIGMA CINE lenses on Top Gun: Maverick.
Behind the Scenes of ‘Human Crime’, the Pixies’ New Music Video: Shot on SIGMA fp
Go behind the scenes with Pixies bass player (and director) Paz Lenchantin and DP Joe Rubinstein, and learn how they used the SIGMA fp to film the legendary alternative band’s latest music video.
Cinematography in Tight Spaces: Trees of Peace
Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.
Virtual Production and Cinematography
We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.
Language of Lenses: 28mm vs 35mm vs 40mm
DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
Aerial Camera Operating with Dan Godar
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
Tips for Filming in the Snow
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Auto Exotica: Where the car is the star and you’re along for the ride
The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.
White Fire Interview: Creating the Films that Matter
Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.