Breaking in to Music Photography: Real-World Advice from Two Working Pros

Serendipity often plays a role in taking the first steps toward a career as a music photographer. What happens after that is totally up to you.

How I Shot An Entire Feature Film on Sigma Art Lenses

Actor Brian Jordan Alvarez and Director of Photography Jordan McKittrick created the feature-length comedy “Grandmother’s Gold” using only two Sigma Art lenses: the 18-35mm Art and 50-100mm Art.

5 Tips for Low Budget Filmmaking

If you’re a director of photography hoping to shoot a micro-budget movie as efficiently as possible, there are ways to plan ahead and achieve every bit of production value you can.

Dogwood Pass: Indy Budget filmmaking with the Sigma 18-35mm T2 and 50-100mm T2 High-Speed Zoom lenses

Cinematographer Chuck France explains how the Sigma 18-35mm T2 and 50-100mm T2 High-Speed Zoom lenses helped create the distinctive look and feel of Dogwood Pass: The Series on an incredibly tight budget and timeline.

Telephoto Compression with the Sigma 150-600mm DG OS HSM | Sports lens

Sigma Pro Liam Doran uses telephoto compression with the Sigma 150-600mm Sports lens to make a magazine cover shot.

Behind the Shot: Ski’s Eye View of Monument Valley

It’s a bit risky for the world’s top ski magazine to run a shot of skis travelling through the desert as the opener, but I’m glad they did…and it’s great to see a previsualized shot come to life just as you imagined it!