For this weeks Dealer Spotlight , we take a look at Duclos Lenses.
SIGMA CINE
Project showcases, interviews with filmmakers, and company news about the SIGMA CINE lens line.
Let’s Break Down Bits, Pixels and Frame Rate
We explain the basics of bits, bytes, pixels, resolution, and frame rate and why they are important when choosing a camera.
Shooting a Shoe Commercial in Quarantine with the Sigma fp
SIGMA Cine Pro Graham Ehlers Sheldon talks about the process of shooting a shoe commercial within 20 feet of his door while under Stay at Home orders in California.
Sigma Resource Roundup 2019-2020
Check out our resource roundup from the past year.
The SIGMA fp as a Live Stream Web Camera
Learn how to turn the fp into your ultimate streaming camera.
Lens Comparison: SIGMA Classic Cine Primes vs SIGMA Cine Primes
Sigma Cine Pro, Timur Civan, tests all of the brand new Sigma Cine Classic Primes against the Cine Primes.
The SIGMA fp Camera as a Director’s Viewfinder
SIGMA Cine Pro, Graham Sheldon walks us through using the fp’s director viewfinder mode.
Seven Tips for Maintaining a Cam Op’s Most Valuable Asset
Those who work in production are conditioned to promote themselves as invincible in ordered to be a desirable pick for any crew. We scoff in the face of an eight hour work day, demanding a minimum of 12. We live…
SIGMA fp Footage: The Impact and Value of CinemaDNG in a Tiny Package
Blueline films explores Sigma fp 12-bit CinemaDNG footage grading in DaVinci Resolve.