Justin Steele talks about his winning submission, his journey from military to filmmaking, the lessons he has taken away from school, and advice for future students
SIGMA CINE
Project showcases, interviews with filmmakers, and company news about the SIGMA CINE lens line.
Cinematography in Tight Spaces: Trees of Peace
Learn how Cinematographer, Michael Rizzi, was able to film an entire feature in a 5’x5′ room with one practical light source.
Virtual Production and Cinematography
We had the chance to chat with Sam Nicholson ASC about his experience in virtual production at Stargate Studios.
Language of Lenses: 28mm vs 35mm vs 40mm
DP Timur Civan creates a simple dialogue scene to show how similar focal lengths: 28mm, 35mm, 40mm, can each create a different emotion.
Aerial Camera Operating with Dan Godar
With films such as Venom, The Matrix Resurrection, and Jungle Cruise, on his resume, Dan Godar is one of the top aerial camera operators in the industry.
Tips for Filming in the Snow
Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
Behind the Scenes on Netflix’s Halston
DP William Rexer and DP Tim Ives explore behind the scenes of creating Halston with Sigma Cine lenses and Cine Classic lenses.
Auto Exotica: Where the car is the star and you’re along for the ride
The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.
White Fire Interview: Creating the Films that Matter
Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.
A Basic Guide to Diopters
Diopters are a powerful addition to any cinematographer’s arsenal; experienced or not. They’re often overlooked but have a unique way of expanding the capabilities of lenses you already own.