Filming in the snow can add a beautiful and intricate layer to your shot, however it also comes with a multitude of environmental difficulties
DP William Rexer and DP Tim Ives explore behind the scenes of creating Halston with Sigma Cine lenses and Cine Classic lenses.
The Auto Exotica team tackles the challenges of find the right gear to show off the style, luxury and, most importantly, the speed of the star subjects.
Interview with the filmmaking and Director of Photography of the film White Fire. The intimate true story of a young boys battle with cancer.
Diopters are a powerful addition to any cinematographer’s arsenal; experienced or not. They’re often overlooked but have a unique way of expanding the capabilities of lenses you already own.
Learn how DP Sandra Valde-Hansen puts her experience and SIGMA Cine Classic lenses to work on her latest projects, including The L Word: Generation Q.
SIGMA has teamed up with Rosco to bring you the Cinematography Challenge! Check out all three episodes now and see how these talented artists were able to compose a surprise scene in just 30 minutes.
Recording in ProRes RAW while using the SIGMA fp & fp L and the workflow for that RAW footage in post.
Director Etienne Aurelius gives you his take on how the SIGMA Cine Classic lenses create his ideal dreamy look. It turns them into this haze of natural beauty, like you can see the air in the shot. There’s no more…