Lens Guides

Negative Space for Editorial Photography using Sigma Lenses

Negative space…no its not the place in your head where you second guess your photographic composition and/or lens choice and/or exposure settings and/or enter general anxiety here. The simplest explanation of negative space that I can think of is that it is any space in your photograph that is not the intended subject. Or as Wiki puts it “is the space around and between the subject(s) of an image.” For editorial photographers the negative space of an image can be incredibly important and can make or break an image for publication.

When you are sent out on assignment or are asked for a stock submission you may get some request like, “mind the gutter”, or “right read two page opener” or better yet “cover please!” All of these requests are basically code for negative space and how they want that space to be organized. When you are out shooting, you should keep these negative spaces in mind. Below are a few example of how negative space is used in editorial photography.

Mind the Gutter- Just like it sounds, the gutter is where the left and right pages meet in the middle of the magazine and art directors generally will not want to place the subject of the image within the gutter. If the subject is centered then they may make the image a ¾ spread and put text in the left or right column depending which way the image was placed

© Liam Doran 2016 | Classic two page spread opener with the action on the left and copy on the right.
© Liam Doran 2016 | Classic two page spread opener with the action on the left and copy on the right.. Taken on Canon 1DX with Sigma 70-200mm f2.8 lens. ISO 640 f/11 1/1600 sec.

Right (or left) read two page opener- Be prepared to keep you subject and the action confined to one side of an image. Often you will find that a story opens as a two-page spread photograph with the copy on the right side and the action/subject on the left and sometimes the other way around.

© Liam Doran 2016 | Another two page spread with action on the left and the gutter clearly minded.
© Liam Doran 2016 | Another two page spread with action on the left and the gutter clearly minded. Taken on Canon 5DMKIII with Sigma 24-70 f2.8 lens. ISO 1600 f/3.5 1/800 sec. with two stop grad ND filter.

Cover please! – The phrase every photographer wants to hear. Extremely elusive and always an honor no matter the size of the publication. This may be the one time when a center-punched subject (something generally avoided) will work well for you and your editor. Another consideration is that, contrary to what you would think, most covers (well mine at least) are pulled from horizontal images NOT vertical.

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©Liam Doran 2016 | Example of a cover taken from a horizontal. This shot was specifically composed to work as a cover or as a full page. The action is right in the gutter so it would not work as a two page spread. And notice all the negative space around the athlete where copy and title fit perfectly.
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©Liam Doran 2016 | Original Horizontal Photo. Taken on Canon 1DX with Sigma 120-300 f2.8 lens. ISO 800 F/8 1/2000 sec.

Below is an example of an image that could only be run as a half page. Compositionally I had to have my subject in the middle of the page so that I could tell a complete story with the gawking pedestrian viewers left and the pelican and dice viewer right.

© Liam Doran 2016 |Canon 1DX with Sigma 24-35 f2 lens. ISO 1250 f/2 at 1/500 sec.
© Liam Doran 2016 | Canon 1DX with Sigma 24-35 f2 lens. ISO 1250 f/2 at 1/500 sec.

Another example of an image made to be used as a two page spread. I was sure to keep my athlete our of the “gutter” so that he would be on the right and the copy on the left.

© Liam Doran 2016 |Canon 7DMKII with Sigma 70-200 f2.8 lens. ISO 200 F/8 1/1250 sec.
© Liam Doran 2016 |Canon 7DMKII with Sigma 70-200 f2.8 lens. ISO 200 F/8 1/1250 sec.
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