The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary lens is best described as versatile . At just four inches long in the camera bag, and weighing just over a pound, this small lens covers wide angle to supertele, plus macro.
Last year, Sigma announced a pair of zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal lengths and apertures, and advanced feature sets including the Sigma-exclusive lens customization, these two new champion zoom lenses share a significant amount of DNA. So, what is the difference between the Sports and Contemporary version of the Sigma 150-600mm zoom lenses?
The Sigma 150-600mm F5-6.3 DG OS HSM | Sports has been generating a ton of buzz since its announcement at photokina in September 2014. This Sports update of the 150-500mm supertelephoto zoom lens is one of two 150-600mm zoom lenses announced at the show, along with the 150-600mm DG OS HSM | Contemporary.
The Sigma 18-300mm F3.5-6.3 DC OS HSM Macro | Contemporary is the newest all-in-one camera lens in the Sigma lineup, and offers a high 16.6x zoom ratio, 1:3 macro magnification, Optical Stabilizer, in a lens that covers wide angle to supertelephoto in a single, lightweight lens.
What a difference a couple of years makes!
Two years ago, we were gearing up for PhotoPlus, just days after the announcement of the Sigma Global Vision at photokina 2012. We were preparing ourselves for discussions and briefings to explain the philosophy behind the three new lines being offered.
At that time, many photographers and technical editors were confused as to what Art, Sports, and Contemporary was meant to convey in a lens name. We spent a lot of time that fall explaining the way that Sigma is rethinking lenses and how this relates to the three new lens markings.
Our new video quicktips for photographers series offers advice for anyone who is looking to understand more about the techniques and technology that can help them make better pictures. Each episode is just a few minutes long and looks to explain and offer advice in an easy-to-grasp way. Check back all month long as we add new episodes to this series.
Great gear ideas for the summer, from the team at Sigma. Ideas for cameras and lenses for wherever you’re heading this sunny season!
Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.
In “The High Concept Image,” a recent feature in Outdoor Photographer, nature photographer Ian Plant intelligently challenges photographers to capture creative, thoughtful images that move beyond “snapshots,” rising to the level of “art.”
Ian’s description of the high concept image is in contradistinction to the “low-concept image,” which he points out is generally more “documentary” or “literal” in nature. Seeing nothing wrong with such grab shots, he does, however, push photographers to look for new ways to depict the world. He invokes legendary photographer Minor White, who once said “One should photograph objects not only for what the are but for what else they are.”