As a Sigma Pro team member I had the privilege of being invited to give lectures and workshops at the 2014 Festival of Cranes out at the Bosque del Apache National Wildlife Refuge. I have visited the refuge many times before, and, while I was excited about being able to photograph the birds again, I was most excited about my two nighttime lectures and workshops at the Very Large Array (VLA). These giant radio telescopes would make a great foreground subject for a star filled sky. Nobody has been allowed on the property at night since 2009, so I was very excited about taking a group out to the location. Sigma Photo would sponsor the event, and I agreed with the organizers of the festival to take out 40 participants each night. With a group that size, I knew I wouldn’t get much of a chance to take pictures myself, but it would be a great learning opportunity for the class. The image at top is one of the few I was able to take during a break in the instruction.
The greatest thing about interchangeable camera lenses is the variety of optical designs, from ultrawide to supertelephoto and everything in between, that offer an incredible amount of variety for visual expression, creativity, and optical performance optimized for different photographic situations. And while it may be sometimes completely and totally obvious what types of photography a certain lens excels at—for example, everyone knows that Macros are designed to capture close-up details; telephoto lenses are great for long-reach wildlife and sports from the sidelines—many styles of camera lenses have lesser-known secret superpowers that can be called upon to make a photo. Let’s take a look!
I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]
In “The High Concept Image,” a recent feature in Outdoor Photographer, nature photographer Ian Plant intelligently challenges photographers to capture creative, thoughtful images that move beyond “snapshots,” rising to the level of “art.”
Ian’s description of the high concept image is in contradistinction to the “low-concept image,” which he points out is generally more “documentary” or “literal” in nature. Seeing nothing wrong with such grab shots, he does, however, push photographers to look for new ways to depict the world. He invokes legendary photographer Minor White, who once said “One should photograph objects not only for what the are but for what else they are.”
The exquisitely appointed Vizcaya Museum and Gardens is a photographer’s paradise. The former home of businessman James Deering, who made his fortune manufacturing agricultural machinery, is filled with architecture begging for megapixels of detail, super wide angle views, and impeccable HDR techniques.