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Tag: Travel Photography
11.09.2012
09.24.2012

#59: Carrizo Plain (Part II) by Ryuichi Oshimoto

Eye Scene: Photographer, Ryuichi Oshimoto Travels with Sigma Camera & Lenses by Ryuichi Oshimoto

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09.17.2012

#58: Carrizo Plain (Part I) by Ryuichi Oshimoto

Eye Scene: Photographer, Ryuichi Oshimoto Travels with Sigma Camera & Lenses by Ryuichi Oshimoto

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09.04.2012

The Sigma 18-250mm F3.5-6.3 Macro is Ready for Adventures

When traveling as light as possible while maximizing versatility, an all-in-one zoom lens like the new Sigma 18-250mm F3.5-6.3 is a great choice. This recently redesigned lens is built specifically for DSLRs with the smaller APS-C sensors, and now adds 1:2.9 macro capture for even more flexibility and creativity in an even more compact package than its predecessor.

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08.10.2012

#55: Cruising on Highway 1 from San Francisco (Part II) by Ryuichi Oshimoto

After driving about 50 miles north on Highway 1 from San Francisco, I headed toward the shore. The setting sun from the west glimmered over the Pacific and the sheep roamed around looking for grass to feed. ©2012 Ryuichi Oshimoto, Taken with APO 70-200mm F2.8 EX DG OS HSM @200mm

Eye Scene: Photographer, Ryuichi Oshimoto Travels with Sigma Camera & Lenses

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07.25.2012

Travel Kit for Urban Adventures by Kevin Ames

©2012 Kevin Ames

All too often my travels center around the desires of my amazing clients. That means that personal photography either has […]

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06.26.2012

Fan Photo of the Week: Uriah David Clark’s Steam Locomotive

2012 © Uriah David Clark

This week’s Fan Photo of the Week was taken by photographer Uriah David Clark made with the DP1.

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06.15.2012

Sigma 18-250mm F3.5-6.3 DC Macro OS HSM: First Impressions with Walter Arnold

For this shot I borrowed some brushes from local Water Color artist Sterling Edwards, who also works in acrylics. He lent me some of his brushes as well as a painter's pallet to photograph for this shoot. I laid a few of the brushes on the pallet next to a colorful dollop  of ink. After spending a good deal of time lighting the brushes with traditional lighting techniques, I broke out my trusty mag lite flashlight and used it to provide a very focused light from the side which made for a dramatic and textured image.    F22 0.4s ISO100  250mm Manual. ©2012 Walter Arnold.

Pro Photographer Walter Arnold has been shooting new ad campaign shots with the new Sigma 18-250mm F3.5-6.3 DC MACRO OS HSM on the sly for the past few weeks. We spent a few minutes talking with him about his experiences with this amazing new superzoom. For full press release and technical specifications click here.

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05.31.2012

LENS EXPLORATION: 120-300mm F2.8 EX DG OS HSM, Part II

120-300OS-2

120-300mm F2.8 EX DG OS HSM features: Designed for use with full frame digital SLR cameras. May also be used with […]

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05.28.2012

#52 Winter in southern Death Valley by Ryuichi Oshimoto

The setting sun creates a dramatic world of light and dark at Golden Canyon in Death Valley National Park. Fascinated by the layers of history in the rocks, I pressed the shutter using the large aperture standard lens.

Eye Scene: Photographer, Ryuichi Oshimoto Travels with Sigma Camera & Lenses Leaving the mineral refining plant in Trona and heading […]

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