The greatest thing about interchangeable camera lenses is the variety of optical designs, from ultrawide to supertelephoto and everything in between, that offer an incredible amount of variety for visual expression, creativity, and optical performance optimized for different photographic situations. And while it may be sometimes completely and totally obvious what types of photography a certain lens excels at—for example, everyone knows that Macros are designed to capture close-up details; telephoto lenses are great for long-reach wildlife and sports from the sidelines—many styles of camera lenses have lesser-known secret superpowers that can be called upon to make a photo. Let’s take a look!
I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]
Learning how and when to use different settings and options for image capture is one of the most important parts of becoming a stronger photographer. There’s no setting or camera function that’s going to be perfect for all situations, while is exactly why there are so many options. For example, every DSLR offers a couple variations on Autofocus for either a Single-shot or Continuously tracking autofocus.
Each has it strengths and purposes, and even with that, there’s still times when switching the lens to manual focus is the best way to ensure that your chosen subject and focal point is sharp in the image. In this piece, we’re going to look at three photos of seagulls to briefly explore and explain the reasons why to choose one type of AF or manual focus over the others.
It’s pretty well known that a polarizer filter may deepen the color of blue skies, but the more subtle effects of a polarizer are often less known–and certainly worth exploring.
Polarizers limit the light that penetrates through them. As such, they help reduce contrast. Polarizers are like prison bars, where the light bouncing up and down through the bars passes through, but the light waves traveling horizontally do not. Of course, polarizing filters can be rotated, changing which directional light reaches a camera’s sensor and which does no
Sigma Photo Pro 5.5 is a significant update to the raw processor for X3F Raw files from Sigma’s cameras featuring the unique Foveon X3 Direct Image sensor as there is a completely new, dedicated monochrome processor for raw files from the original Sigma SD1 and all Merrill generation cameras, the SD1M, DP1M, DP2M, and the brand-new DP3M. And it is now available for download.
The holiday season is a great time to make photos with gorgeously softened backgrounds and shallow depth of field for painterly, creative, and festive results. Indoors and out, the Christmas trees bedecked with tiny lights, Menorahs, and decidedly secular seasonal displays that brighten the world each December present the perfect opportunity to experiment, explore and create. While we’ll obviously be featuring a number of Sigma lenses in this how-to, much of the information here is universal.
Brazil’s Pantanal is one of earth’s most biologically rich areas and truly spectacular photography destination. Last month I took a scouting trip to the Pantanal for wildlife with with special emphasis on the jaguar. It was my first trip here and I have to say the photographic opportunities in the Pantanal were even better than I expected. Jaguar was the main target of the trip and I would have been happy just to see a single one but as it turns out we had the chance to photograph them each day and every day I was there. This is one of the best locations if not the best location on earth to photograph jaguar.
Sigma’s Jared Ivy and his family made this great video demonstrating the benefits of the Sigma 18-250mm F3.5-6.3 DC Macro OS HSM and the EF-610 DG ST flash for family photography.
Watch the video to learn about this great creativity kit offered at an amazing package price.