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Tag: Tips & Tricks
09.02.2014

Somewhat Secret Superpowers of Camera lenses

Everyone knows supertelephoto zoom lenses are great for long-reach photography at widest, like wild birds. Here, the Sigma 150-500mm is trained on an American Anhinga, at 500mm, wide open at F6.3.

The greatest thing about interchangeable camera lenses is the variety of optical designs, from ultrawide to supertelephoto and everything in between, that offer an incredible amount of variety for visual expression, creativity, and optical performance optimized for different photographic situations. And while it may be sometimes completely and totally obvious what types of photography a certain lens excels at—for example, everyone knows that Macros are designed to capture close-up details; telephoto lenses are great for long-reach wildlife and sports from the sidelines—many styles of camera lenses have lesser-known secret superpowers that can be called upon to make a photo. Let’s take a look!

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05.19.2014

Photographing the Nighttime Landscape with Sigma’s 12-24mm lens

I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]

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10.29.2013

Single-shot Autofocus, or Continuous Autofocus, Or…

Learning how and when to use different settings and options for image capture is one of the most important parts of becoming a stronger photographer. There’s no setting or camera function that’s going to be perfect for all situations, while is exactly why there are so many options. For example, every DSLR offers a couple variations on Autofocus for either a Single-shot or Continuously tracking autofocus.

Each has it strengths and purposes, and even with that, there’s still times when switching the lens to manual focus is the best way to ensure that your chosen subject and focal point is sharp in the image. In this piece, we’re going to look at three photos of seagulls to briefly explore and explain the reasons why to choose one type of AF or manual focus over the others.

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07.25.2013

Experimenting with Polarizer Filters

A polarizer filter helped bring out the blue sky in this shot taken during the Sigma FitzSimmons Photography Island Adventure photo workshop on Kelleys Island, Ohio. By turning my polarizer, I was able to bring out the blue skies over Lake Erie. Sigma SD1 Merrill. Sigma 10-20mm F4-5.6 EX DC HSM lens set at 18mm. f/11, 1/15 sec. ISO 100. Sigma 77mm Circular DG Polarizer Filter. Gitzo GT2451EX tripod with Gitzo ball head. Processed in Sigma Photo Pro 5.5, optimized in Adobe Photoshop CS5, NIK Viveza plug-in applied. Photo © 2013 David FitzSimmons. All rights reserved.

It’s pretty well known that a polarizer filter may deepen the color of blue skies, but the more subtle effects of a polarizer are often less known–and certainly worth exploring.

Polarizers limit the light that penetrates through them. As such, they help reduce contrast. Polarizers are like prison bars, where the light bouncing up and down through the bars passes through, but the light waves traveling horizontally do not. Of course, polarizing filters can be rotated, changing which directional light reaches a camera’s sensor and which does no

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07.01.2013

Introducing No Fear Photography

Welcome to the newest section of our blog, No Fear Photography! We’re here to help photographers learn to make the most of their cameras, to take creative control, to explore, and capture amazing images all along the way.

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02.27.2013

Sigma Photo Pro 5.5 Monochrome: First Look, First Photos

Cruise Night, Somerville NJ

Sigma Photo Pro 5.5 is a significant update to the raw processor for X3F Raw files from Sigma’s cameras featuring the unique Foveon X3 Direct Image sensor as there is a completely new, dedicated monochrome processor for raw files from the original Sigma SD1 and all Merrill generation cameras, the SD1M, DP1M, DP2M, and the brand-new DP3M. And it is now available for download.

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02.22.2013

Sigma Photo Pro 5.5 Monochrome: Video Tutorial

Abandoned Diner, White House, NJ. Shot with the Sigma SD1 and Sigma 17-50mm F2.8 EX DC OS HSM. X3F Raw file processed in Sigma Photo Pro 5.5 Monochrome mode.

Sigma Photo Pro 5.5 now offers dedicated Monochrome processing for X3 raw files from the original SD1 and all cameras in the Merrill Generation, the SD1 Merrill, the DP2 Merrill, and the new DP3 Merrill.

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12.03.2012

A Bit about Bokeh, Background Blur and Selective Focus

The holiday season is a great time to make photos with gorgeously softened backgrounds and shallow depth of field for painterly, creative, and festive results. Indoors and out, the Christmas trees bedecked with tiny lights, Menorahs, and decidedly secular seasonal displays that brighten the world each December present the perfect opportunity to experiment, explore and create. While we’ll obviously be featuring a number of Sigma lenses in this how-to, much of the information here is universal.

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11.26.2012

Spectacular wildlife in Pantanal, Brazil

Brazil’s Pantanal is one of earth’s most biologically rich areas and truly spectacular photography destination. Last month I took a scouting trip to the Pantanal for wildlife with with special emphasis on the jaguar. It was my first trip here and I have to say the photographic opportunities in the Pantanal were even better than I expected. Jaguar was the main target of the trip and I would have been happy just to see a single one but as it turns out we had the chance to photograph them each day and every day I was there. This is one of the best locations if not the best location on earth to photograph jaguar.

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11.19.2012

The Sigma 18-250mm F3.5-6.3 and EF-610 DG ST Flash for Great Family Photos

Sigma’s Jared Ivy and his family made this great video demonstrating the benefits of the Sigma 18-250mm F3.5-6.3 DC Macro OS HSM and the EF-610 DG ST flash for family photography.

Watch the video to learn about this great creativity kit offered at an amazing package price.

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