The Sigma 50-500mm F4.5-6.3 APO DG OS HSM is one of my favorite lenses of all time. My copy has been there by my side shooting in rain, snow, freezing low temps, scorching high temps and more delivering the sharp images I need month after month.
Iceland has long been on my list of photography destinations so I was very excited to finally get a chance to explore the country as well as try out the Sigma 12-24mm. The landscapes were just breathtaking and I got an opportunity to photograph the many waterfalls of the country. The lens quickly proved itself as I was able to compose and recompose quickly given that I was often very close to the falls! One of my favorites is a triple waterfall near Mt. Kirkjufell (shown above). While I normally use split neutral density filters to balance a scene, I decided instead to blend two exposures (one for the sky and one for the foreground) because of the mountain protruding on the right hand side. A split ND filter would have unnaturally darkened Mt. Kirkjufell so an exposure blend was the best option in this case.
Working with people in general is such an honor for me. As a portrait artist, I photograph people of all ages. I can’t honestly say I have a favorite age group, although I do love photographing young adults and helping them to see their beauty as I do.
The ages of these young people included in this article vary from 11-19 years old. They are from different families and all share the same optimism that comes with being so young.
When I set out to do wildlife photography, I always have my Sigma 300-800mm lens with me mounted on one camera body and the newest addition to my arsenal; the Sigma 120-300mm mounted on another. I absolutely love the versatility and reach of that combination. It is unmatched by any combination on the market today. I have always used both lenses for a while with great results, but I wanted to see how the budget friendly Sigma 150-500mm worked in the field because sometimes, it is nice to travel light! Another big factor is that many people simply can’t afford the higher end lenses and I would love to give them another option, but I did have a few questions myself that needed to be answered. Was the lens sharp…..even all the way out to 500mm? I set out one morning a few weeks ago and started testing the lens out on simple portraits like the one below. I patiently waited for the bird to walk into some nice sand.
I have been looking for an intermediate telephoto zoom lens to add to my lens arsenal. I have owned the Canon 100-400mm lens for a while now but I have never been happy with its sharpness or overall performance and the push pull mechanism for zooming was not very smooth and made tracking while zooming difficult. I was looking at 70-200mm f/2.8 lenses but I felt that I wanted a bit more reach for an intermediate telephoto zoom lens. Someone suggested that I try out the Sigma 120-300 f/2.8 and it looked to be a great idea as it fit nicely in my lens lineup between my wide angle lenses that ranged up to 128mm and my super telephoto Sigma 300-800mm f/5.6 lens.
There’s so much to love about the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens, the third iteration of this unique fast-aperture telephoto zoom lens that pairs the performance of a 300mm F2.8 with the versatility of a constant-aperture zoom for quickly adjusting the composition.
This week’s Fan Photo of the Week was made by Ann and John Perdue of Victorian Key Photography.
When traveling as light as possible while maximizing versatility, an all-in-one zoom lens like the new Sigma 18-250mm F3.5-6.3 is a great choice. This recently redesigned lens is built specifically for DSLRs with the smaller APS-C sensors, and now adds 1:2.9 macro capture for even more flexibility and creativity in an even more compact package than its predecessor.