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Tag: telephoto
12.23.2014

A Long Look at Winter with the 150-600mm F5-6.3 DG HSM OS | Sports

A starling sits atop a weathervane, atop a three story building, captured through the Sigma 150-600mm F5-6.3 DG HSM OS | Sports paired with a Rebel T3i at 600mm, for an effective 960mm focal distance. Cropped to near square format for presentation.

Photography in winter can be a challenge. And when I say “winter”, I’m not talking of winter in the sense of majestic snowcapped peaks framed by freshly powdered pines with perfect golden light and firetone brushstroke clouds, I’m talking more of the winter of dirty refrozen slushpiles downtown three frigid days after a mid-January sleetstorm around 11:17 on a grey Tuesday morning when it seems there’s nothing magical left in the world worth getting out of warm car with a camera for.

Winter has its challenges, for sure, especially in the deciduous zones, where skeleton trees thrust bony fingers at the sky, and vistas and sweeping wild scenes are brushed widely with swaths of stingy browns and grays, instead of the festive pastels of spring, the lush greens of summer and the fall fireworks palette. But winter has it own charms and own rewards, and for photographers looking to challenge themselves and experiment, it can be a great time to get out and explore with a long lens, like the new 150-600mm F5-6.3 DG HSM OS | Sports lens.

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10.31.2014

Sigma 150-600mm F5-6.3 | Sports: Hands-On

The Sigma 150-600mm F5-6.3 DG OS HSM | Sports has been generating a ton of buzz since its announcement at photokina in September 2014. This Sports update of the 150-500mm supertelephoto zoom lens is one of two 150-600mm zoom lenses announced at the show, along with the 150-600mm DG OS HSM | Contemporary.

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10.07.2014

Sigma Global Vision: The Journey Continues

The Sigma 150-600mm F5-6.3 DG OS HSM | Sports lens is one of the newest lenses in the Sigma line, announced at photokina 2014. This lens is designed for exceptional outdoor performance.

What a difference a couple of years makes!

Two years ago, we were gearing up for PhotoPlus, just days after the announcement of the Sigma Global Vision at photokina 2012. We were preparing ourselves for discussions and briefings to explain the philosophy behind the three new lines being offered.

At that time, many photographers and technical editors were confused as to what Art, Sports, and Contemporary was meant to convey in a lens name. We spent a lot of time that fall explaining the way that Sigma is rethinking lenses and how this relates to the three new lens markings.

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