Our new video quicktips for photographers series offers advice for anyone who is looking to understand more about the techniques and technology that can help them make better pictures. Each episode is just a few minutes long and looks to explain and offer advice in an easy-to-grasp way. Check back all month long as we add new episodes to this series.
Supertelephoto lenses can help bring a whole new level to your photography; and it just takes a little practice to get the hang of some of the particulars of working with long-reach lenses. Here are some top tips for making the most of supertelephoto zoom lenses.
Over the last weekend a huge swell focused giant waves on California triggering a high surf advisory and I had my Sigma 50-500mm to document some of the action. By the end of the weekend the awe inspiring power of this swell took its toll with lots of snapped surfboard leashes, broken surfboards and injured surfers (one had to be taken away by ambulance), my friend Jim broke his foot on Sunday dropping into a huge wave!
At my local beach in south Los Angeles the waves break close to shore so my Sigma 50-500mm F4.5-6.3 APO DG OS HSM works very very well to document the action in the water here. Prime lenses are much harder to shoot with at beach breaks especially when the surf is large.
One of our key missions here with the No Fear Photography blog postings is to teach photographers to take more creative control of their cameras in order to make stronger photos because taking the camera off full-auto-everything puts the power of shutter speeds, ISO and F-stops firmly in your hands. There’s many more variables, too, such as white balance, single/continuous Autofocus or manual focus, and so on to be tweaked and tuned. And the more controls you adjust, the more chance there is, that at some point in your photography, you are going to miss a shot due to operator error.
This week’s Fan Photo of the Week was made with the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens paired with a Nikon D3 by Jack Mancini.
There’s so much to love about the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens, the third iteration of this unique fast-aperture telephoto zoom lens that pairs the performance of a 300mm F2.8 with the versatility of a constant-aperture zoom for quickly adjusting the composition.
The Sigma USB Dock paired with Sigma Optimization Pro software brings lens customization to an entirely new level. Photographers can now personally update the firmware of Sigma’s new Global Vision lenses and make performance enhancements including multi-zone microfocus adjustments of +/-20 from the factory default settings.
One of the benefits for outdoor sports shooters on APS-C sensors is the gain in reach with telephotos lenses. The negative of course is that now your wide angle 16mm is now not so wide at 25.6mm. Thankfully Sigma has a great wide-angle lens perfect for crop sensor shooters…the 10-20mm f3.5! I picked up this lens about a year ago and have shot outdoor sports and adventure travel with it extensively.
This week’s Fan Photo of the Week was made by Liam Doran with the Sigma 10-20mm F3.5 EX DG HSM lens