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Tag: Sigma 24-70mm f2.8
05.06.2014

How Your Camera Sees: Part 1

©2014 Lindsay Adler |Subject has hips pushed backwards away from camera. | Sigma 24-70mm lens at 60mm, Canon 5D Mark III

As a photographer, I am definitely a problem solver. I must solve endless problems including lighting, posing, and flattering my subject. One way to become a better problem solver is to understand the tools available to us, most importantly, our cameras.

When photographing people and portraits, it is important to understand how your camera and lenses see. When looking through the lens, how does your camera interpret the environment and your subject different than what you perceive with the naked eye? Whether posing and shooting fashion, family portraits or head shots, understanding this makes a profound impact on the final results.

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04.21.2014

How to utilize 5 lenses for a boudoir shoot

The area around the bed is very tight in my studio so I almost always use the 50mm. It allows me to get full body shots and close up shots with ease.  © 2014 Jen Rozenbaum | Lens: 50mm | Aperture: F3.5 | Shutter speed: 1/125 sec

There is one question that is asked of me most often when I am teaching photography. That question is “Which lens is your favorite”? That’s such a terribly difficult question for me to answer. Lenses are like children, I love them all and hate to play favorites.

All kidding aside, I carry 5 lenses with me everywhere I go. Sigma’s 35mm F1.4, 50mm F1.4, 85mm F1.4, 24-70mm F2.8 and the 70-200mm F2.8. Most of my boudoir shoots are done in studio. My studio is very small (about 10’x10’) so I most often shoot with my 50mm due to size constraints. What if I want to take my client out to the rooftop though? (I’m bringing out the 70-200mm for that!) or into the vestibule (only the 24-70mm will do there). I would be unprepared without the other lenses.

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10.03.2013

Playing in the Sand: Part One

While I usually preach getting low to create unusual angles, with wave photography raising your tripod to head-height allows the swirling water to occupy a large percent of the image area. Nikon D800E. Sigma 24-70mm F2.8 IF EX DG HSM lens. f/16, 1 second. ISO 200. Sigma 82mm Circular DG Polarizer Filter. Gitzo GT2451EX tripod with Gitzo ball head. Processed in Photoshop CS5, Nik Viveza plug-in applied. Photo © 2013 David FitzSimmons. All rights reserved.

Have you ever risen early in the morning for a sunrise photo shoot only to be faced with fog? Often a feeling of disappointment sets in; I suggest, however, that such moments are full of opportunities—chances to try something new.

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09.19.2013

The Family Portrait

© 2013 Judy Host | Lens: 24-70mm F2.8 IF EX DG HSM | Aperture: f 5.0 | Shutter speed:  1/125sec |  ISO 100

Most of my portrait work is all about photographing young children and their families. In most cases I have been working with these families for years. This session I’m about to share with you is one of my most recent.

Whether the age group of the children is between 3-5, or a more adult family like these three children ages 10-17 with their dogs, it’s always a challenge to come up with new ideas and expressions that tell some kind of story and reflect where they are in their lives. Most of my sessions are about documenting a certain time in my client’s life. With this family, Charlotte, who is now 17 is a senior in High School. My task is to create a senior portrait for her along with photographing the whole family and each individual child.

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05.13.2013
10.24.2012

Fan Photo of the Week: Victor Neves’ Fall Reflections

Victor Neves made this shot with his Sigma 24-70mm F2.8 EX DG in Scituate, RI.

Victor Neves used the Sigma 24-70mm F2.8 plus a Neutral Density filter to make this shot of fall leaves reflecting above a waterfall.

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06.14.2012

Fashion Flair 1950 Engagement Shoot: 4 Lens Solution by Lindsay Adler

Lens: 50mm 1.4 | Camera: Canon 5D Mark II | Focal Length: 50mm | ISO: 800 | Aperture: 2.0 | Shutter speed: 1/8000 sec

I carry a variety of lenses in my kit. These lenses give me versatility and flexibility, and provide me a […]

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