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Tag: Sigma 24-105mm F4 | Art
03.27.2015

Why the 24-105mm F4 | A Is THE Ideal Wedding Lens

It can be a challenge to think of some great images when photographing weddings. I have a couple signature images I always love though.

One if them is the Bride sitting on her bed holding her wedding dress. First, I have her sit on the bed and cross her ankles. I then bring the dress up to her and have her hold it. I always make sure the dress is all smoothed out and fixed nicely. I place her bouquet in a vase next to the bed for accent. I like to try and suggest clothing for the Bride when doing this pose, as jeans are not classy enough.

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12.10.2014

One-Two Editorial Punch: Sigma 24-105mm F4.0 and Sigma 70-200mm F2.8

© 2014 Lindsay Adler | Lens: Sigma 24-105mm 4.0 | Focal Length: 38mm | Shutter speed: 1/1000 sec | Apeture: f/4.0 | ISO 100

When I shoot fashion editorials for magazines, I am shooting a series of images to tell a story. In 6-10 […]

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10.21.2014

How to Photograph Your Dog: 1 – Transitions

Welcome to my new, bi-weekly photo “dog blog” celebrating canines and cameras. Here I plan to write about dogs, photography, and life. Specifically, I hope over time that this column accomplishes three things:

Shares ideas about way to photograph your pet
Documents the growth of our new Labrador retriever puppy from the first week at home onward, as well as showcasing other dogs
Reflects on how photography of our “best friends” can teach us about life, particularly examining how dogs influence our lives and, recursively, how we affect theirs.

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10.21.2014

Desert Fashion Editorial: 24-105mm F4 DG Art. When a One-Lens Solution is a Must-Have!

©  2014 Lindsay Adler | Sigma 24-105mm 4.0 at 87mm | Shutter speed: 1/160sec | Aperture: f/4.0  | ISO 100

Earlier this year I took an expedition into the giant sand dunes outside of Dubai to shoot a fashion editorial for Zink Magazine. This was a shoot I had been anticipating for quite sometime, as it was the type of work I always dreamed of shooting. I would be in an exotic location with an incredible team on my side, beautiful model, and freedom to create striking images. It truly was a dream shoot made into a reality.

On the first day of shooting we took the vehicles deep into the dunes, passing camels and leaving the nearest town and signs of life far behind. As we approach the gathering of dunes I was amazed as they towered like mountains above the SUVs. Seeing the model first stand into front of the dunes, she appeared like a speck before their grand size.

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09.23.2014

The “Sweet” Light: Capturing Beautiful Portraits at Sunset

For many natural light photographers, photographing in the “Sweet Light” is the highlight of what we do. This light happens around an hour before sunset and an hour around sunrise. It’s the most beautiful, sweet and natural light of all. Timing it can sometimes be difficult, but if you allow yourself to set up your subject and get ready for the sun to start it’s decline, you will be rewarded with the prettiest of all light. It only lasts for about 20 minutes and then turns into a different kind of light, twilight, which can also be beautiful to capture. In the following images, my beautiful subject Zoe is dancing in the sweet light in Ocean Beach, California. This session was timed to capture this gorgeous light as she moved to the music in her head. Photographing with Sigma’s 24-105mm F4.0 DG (OS) HSM | A lens, I was able to create these very sharp and beautiful images. I choose to photograph wide open, at f 4.0 and use a fast shutter speed, s 1/400 to keep my images sharp, as Zoe was consistently moving. My ISO was adjusted as the light changed.

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05.13.2014

How to Photograph Using Reflective Light

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As a natural light photographer there comes a time when even the best of us struggle with finding the right light. As I have mentioned in earlier blogs, the direction of the light and the beauty of a location may not be cohesive, meaning in order to get good light on your subject, you must use a part of the location that’s not so pretty. Sound familiar? Learning how to make a location and the available light work for you, no matter where you are, is one of the greatest lessons you can learn as a photographer. Even now, as I travel for a living, I find myself in locations for the first time and need to be able to find the light almost immediately.

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04.23.2014

High School Senior Fashion Session: Seniors Ignite

©2014 Lindsay Adler | Lens: 85mm F1.4 EX DG HSM | Camera: 5D Mark III | Shutter speed: 1/320 sec | Aperture: F2.2 | ISO 200

This February I was invited to join the fast-paced and inspirational conference called Seniors Ignite. The conference, this year hosted outside of Las Vegas, focused specifically on senior portrait photography and all elements involved– lighting, posing, business, inspiration and more! The event helps elevate senior portrait photography through lecture by those leading the industry and also a great deal of hands-on shooting through their senior model program.

High school seniors around the country can apply to be part of the program through their host studio, and a limited number are selected to come to the event and be photographed in fashion-editorial style shoots at the annual conference.

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04.07.2014

Photographing in Manual Mode to create Beautiful Exposures

©Judy Host 2014 | Lens: 70-200mm F2.8 EX DG OS HSM | Aperture: F 7.1 | Shutter speed: 1/320sec | ISO 320 | Focal length 80mm| Exposure: manual mode | Processed in Photoshop using Perfectly Clear by Authentic to add a bright and more saturated look.

Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.

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03.26.2014

The Dos and Don’ts of Posing Hands

© 2014 Lindsay Adler

Our job as portrait photographers is often to flatter our subjects and help them look their best. There are so many elements that can go into this equation; lighting, posing, expression, focal length, camera angle and more. There is a lot to consider, so sometimes it is useful to train our eyes to see certain undesirable visual elements so we can weed them out.

I have both a creative and analytical mind. I do not like absolutes. I do no like rules. I do, however, appreciate guidelines that help give us photographers a better understanding of how to use our art to communicate. I’d have to side with Pablo Picasso on this one; “’Learn the rules like a pro, so you can break them like an artist.’”

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03.03.2014

All-in-One Wedding Solution: Sigma 24-105mm F4

This month I was invited by Sigma to test out their brand new Sigma 24-105mm F4 lens and to shoot a series of bridal images to demonstrate the versatility of the lens. I decided to put together a fashion-influenced bridal shoot in a stunning location and with the help of my incredible talented creative team. Once I had put together striking visual elements, I would then test all features of the lens that would be important to me as a working photographer.

For several years I photographed weddings, and all the challenges that come with them. I realized very quickly that the last thing I wanted to worry about was my gear. I had to focus on the posing, the lighting, keeping everyone happy, my extremely long shot-list, and much more. I needed to know my gear was reliable and would help me get those must-have moments. When I started I didn’t have a second shooter or assistant; I was the one-woman band expected to make every shot count.

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