When I shoot fashion editorials for magazines, I am shooting a series of images to tell a story. In 6-10 […]
*Please note that I ADDED the slight vignette in these images in Photoshop/Lightroom. Earlier this year I took an expedition […]
For many natural light photographers, photographing in the “Sweet Light” is the highlight of what we do. This light happens […]
This February I was invited to join the fast-paced and inspirational conference called Seniors Ignite. The conference, this year hosted outside of Las Vegas, focused specifically on senior portrait photography and all elements involved– lighting, posing, business, inspiration and more! The event helps elevate senior portrait photography through lecture by those leading the industry and also a great deal of hands-on shooting through their senior model program.
High school seniors around the country can apply to be part of the program through their host studio, and a limited number are selected to come to the event and be photographed in fashion-editorial style shoots at the annual conference.
Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.
Our job as portrait photographers is often to flatter our subjects and help them look their best. There are so many elements that can go into this equation; lighting, posing, expression, focal length, camera angle and more. There is a lot to consider, so sometimes it is useful to train our eyes to see certain undesirable visual elements so we can weed them out.
I have both a creative and analytical mind. I do not like absolutes. I do no like rules. I do, however, appreciate guidelines that help give us photographers a better understanding of how to use our art to communicate. I’d have to side with Pablo Picasso on this one; “’Learn the rules like a pro, so you can break them like an artist.’”
This month I was invited by Sigma to test out their brand new Sigma 24-105mm F4 lens and to shoot a series of bridal images to demonstrate the versatility of the lens. I decided to put together a fashion-influenced bridal shoot in a stunning location and with the help of my incredible talented creative team. Once I had put together striking visual elements, I would then test all features of the lens that would be important to me as a working photographer.
For several years I photographed weddings, and all the challenges that come with them. I realized very quickly that the last thing I wanted to worry about was my gear. I had to focus on the posing, the lighting, keeping everyone happy, my extremely long shot-list, and much more. I needed to know my gear was reliable and would help me get those must-have moments. When I started I didn’t have a second shooter or assistant; I was the one-woman band expected to make every shot count.
Ok. I admit to being somewhat of a snob when it comes to the speed of the lenses I use. The list of my f/2.8’s includes the 120-300mm, 70-200mm, 24-70mm, 150mm Macro & 105mm Macro and a 15mm fisheye. For f/1.4 the list is all primes with the 85mm, the 50mm and the new 35mm Art lens. All of these speed demons are from Sigma of course.
So along comes the latest member of their new Global Vision lenses; the 24-105mm at what I thought was a not-so-speedy f/4.0…