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Tag: Sigma 120-300mm F2.8

Football Photography: 120-300mm F2.8 DG | Sports + 2.0x Teleconverter

© 2014 Steve Chesler | The Sigma 120-300 2.8 Sports lens and the Sigma 2.0X Teleconverter EX APO DG with it’s effective focal length of 360-900mm on my crop sensor D300 allowed me to capture action more than half way across the field.

There’s a chill in the air and the ground is covered with crisp Autumn leaves. It must be football season. […]



Giant Hurricane Surf Hits California

In late August a Hurricane off Mexico sent giant waves to California. The surf spots that are open to the […]



How to Create an Action Sequence Image with Sigma’s 120-300mm F2.8

©2014 Robert O'Toole | Lens: 120-300mm F2.8 DG OS HSM | S | Focal Length:  250mm | Camera: Nikon  D4 | Exposure Mode:  manual mode | Shutter speed: 1/4000 sec | Aperture: f/4 | ISO 400 | handheld at water level.

When all the elements fall info place during a photo session you can find yourself a lot more than just a couple of high quality single images but instead can find that you have captured a series of images that illustrates some really interesting action. Combining multiple images into a single action sequence image can give you a creative eye opening image that can really surprise viewers.



Winter Waves with the Sigma 120-300mm F2.8 DG OS HSM | S

120-300mm F2.8 DG OS HSM | S, 1.4X Teleconverter EX APO, Nikon  D4, manual mode, 1/1250th s at f/5.6, ISO 160, Auto-ISO, -0.3 EV, handheld.

Over the last few months I have been testing the newest version of the Sigma’s 120-300 f/2.8. I have nothing but good experiences with the older version of this lens so I have been looking forward to working with this lens over the winter and spring at home in Southern California. So far my experiences have changed my view of this lens, the newest version of the 120-300 f/2.8. The previous version was good. I found that this latest version has quick and accurate autofocus; the image quality is superb and the focal range excellent for nature photography.



Mistakes, Mess-ups, and Missteps: It Happens to Everyone

One of our key missions here with the No Fear Photography blog postings is to teach photographers to take more creative control of their cameras in order to make stronger photos because taking the camera off full-auto-everything puts the power of shutter speeds, ISO and F-stops firmly in your hands. There’s many more variables, too, such as white balance, single/continuous Autofocus or manual focus, and so on to be tweaked and tuned. And the more controls you adjust, the more chance there is, that at some point in your photography, you are going to miss a shot due to operator error.



Why the New Lens Mount Conversion Service is Great for Photographers

Many times I’ve been asked on Facebook and elsewhere if it is possible for a photographer to keep their favorite Sigma lens and get a lens mount swap after making the decision to switch from one camera to the next, and now, finally, I can answer them with the answer they (and I) want to hear! As of September 2, 2013, owners of lenses in Sigma’s line of the Sigma Global Vision lenses: Art, Sports, and Contemporary, can now send their lenses in for a mount swap. This is a paid service, and lenses will be shipped to our Aizu, Japan factory for the mount conversion



Fan Photo of the Week: Jack Mancini’s Saturday Night Lights

This week’s Fan Photo of the Week was made with the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens paired with a Nikon D3 by Jack Mancini.



Sigma 120-300mm F2.8 DG OS HSM | Sports: Hands-On

There’s so much to love about the new Sigma 120-300mm F2.8 DG OS HSM | Sports lens, the third iteration of this unique fast-aperture telephoto zoom lens that pairs the performance of a 300mm F2.8 with the versatility of a constant-aperture zoom for quickly adjusting the composition.



Wedding Photography Tips & Tricks

Justin Wojtczak of 375 Photography has been shooting tons of images with an assortment of Sigma lenses over the past few months and put together this great highlight reel on Vimeo showcasing his great images made with Sigma gear. We asked him to give some background and tips into how he made each shot so you can take his advice and apply it to your own upcoming shoots.