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Tag: Roman Kurywczak
10.07.2014

Are filters still relevant in today’s landscape photography? Part 2

©2014 Roman Kurywczak | Lens: Sigma 12-24mm | Focal Length: 21mm | Aperture: f/20 | Shutter speed: 1.0 sec. | ISO 400 on tripod.  3 stop Singh Ray reverse GND filter and 3 stop GND filter stacked.

In part one we discussed the use of polarizers and solid neutral density filters.  So what other filter should you […]

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10.06.2014

Are filters still relevant in today’s landscape photography? Part 1

Lens: Sigma 12-24mm F4.5-5.6 DG HSM II | Canon 1D Mark 3 | Focal length: 24mm | Aperture: f/22 | Shutter speed: 0.8 seconds | ISO 100 | no filters | all mounted on tripod

This simple answer is absolutely yes!!!  While they may not be as important as they were in the film days, […]

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05.19.2014

Photographing the Nighttime Landscape with Sigma’s 12-24mm lens

I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]

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04.01.2014

Macro Photography: Don’t like the background? Bring your own!

© 2014 Roman Kurywczak | Lens: Sigma 180mm f/3.5 EX DG HSM APO macro | Aperture: f/32 | Shutter speed: 1.6 sec | ISO 800 tripod with multiple reflectors

In my last post, I left you with an image of a flower from my own garden that I was desperately trying to photograph against the beautiful spring sky. I was lying on the ground trying for a good angle when Darrell Gulin’s lesson came to mind. Why struggle out in the field? He often photographs butterflies in his own kitchen and uses printed natural looking backgrounds behind his subjects. Why was I crawling in the grass, struggling to get a good angle? It was my flower so I simply clipped it and brought it inside. I went back outside and took a picture of the beautiful sky. Back inside, I printed it on some cheap 13×19 matte paper, mounted it on some stiff backboard, placed it behind the bloom, and voila! The image at top is very similar as I used a printed natural green background, but done outdoors. My question to you is; could you tell that it was a printed background? It was an actual “real sky” (in the last post) and some “real” foliage, in this image. Does it really matter? How is that different than the manipulation in the field with the bark or the snow? That is a choice for you to ultimately make but now, I could easily have any background I wanted behind the subject and the sky literally was the limit! Below is my low-tech indoor setup that I can use, any day of the year, and have any background I want even if there is a foot of snow outside! Just remember to close the window too.

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03.05.2014

Macro Photography: Control the background

© 2014 Roman Kurywczak | Lens: Sigma 180mm f/3.5 EX DG HSM APO macro lens | Aperture: f/22 | Shutter speed: 1/300 sec | ISO 640 hand held with Canon MT 24EX twin flash at -1

Unlike other genres of photography, macro photography allows you the most control. I find that backgrounds are just as critical to the success of a macro image as the subject itself. My first tip on getting closer was for circumstances where you couldn’t control the background. My second tip is to show you that in most cases, you can control the background and it is relatively easy! The butterfly image above was taken in Butterfly World in Coconut Creek Florida. There are thousands of live butterflies in the aviary with a great variety but many times the backgrounds are less than appealing. What to do in that situation? I will walk though the aviary looking for a location with a nice background and ignore almost everything else going on! Once I find a bloom that is isolated from the background I will patiently wait for a butterfly to land on it and fire away. Using this technique in the field will always make for stronger compositions, as cluttered background will often distract from the beauty of the main subject.

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