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Tag: prime lenses
04.07.2014

Photographing in Manual Mode to create Beautiful Exposures

©Judy Host 2014 | Lens: 70-200mm F2.8 EX DG OS HSM | Aperture: F 7.1 | Shutter speed: 1/320sec | ISO 320 | Focal length 80mm| Exposure: manual mode | Processed in Photoshop using Perfectly Clear by Authentic to add a bright and more saturated look.

Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.

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02.05.2014

Photograph Anyone’s Good Side: Part 2

© 2013 Lindsay Adler

When your job is to flatter your portrait subjects, you need as many tools in your photographic toolbox as possible so you are prepared for any features, and any ‘flaws’.

I think it is important to mention that I am not judging people’s appearance. As a fashion photographer, I often get to photograph what society considers “ideal” forms of beauty. What I notice time and time again, however, is that certain models’ “flaws” are what make them unique and memorable. In fact, there are several supermodels with so-called flaws like gapped-teeth, unusual noses, and more.

What matters is not what society says is ‘perfect’ but instead how your subjects perceives themselves. You want them to feel confident, attractive and proud of the images you provide them. You want to help them reduce anything they are self-conscious about and help their expression glow in their images.

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01.03.2014

Prime Time: Focus on Fixed Focal Length Lenses

A ring of beach rocks seen through the Sigma 15mm EX DG HSM Diagonal Fisheye with the horizon line near the center of the frame.

Prime lenses are designed for exceptional imaging at a single focal length. Unlike zoom lenses that easily span a given focal range and variable field of view with a twist of the zoom ring, the field of view and focal length remains constant. If you want to take in less of the surroundings with a given prime lens, you’ve got to physically move closer, and to take in more of the scene, you’ve got to back up. But of course, as you move, the angle of view remains the same all the while.

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10.24.2013

Prime Lenses for Mirrorless Interchangeable cameras

While I am a dedicated believer in using a tripod; this lightweight combination makes handheld glamorous portraits easy with no sacrifice in quality. © 2013 Kevin Ames | Lens: 60mm F2.8 DN | Focal Length: 60mm | Shutter speed: 1/160 sec | Aperture: f16 | ISO: 100

A year ago I purchased a 24 megapixel Sony NEX-7 to use as a backup camera during a trip to Belgium, Germany and France. I carried Sigma’s 19mm and 30mm f/2.8 prime lenses. The quality of the photographs amazed me every evening when I downloaded the day’s take. Those results made me carry my “big boy” Canon 5D Mark 2 less than I’d originally planned. The professional quality coupled with it’s touristy—amateur look, I was never questioned in museums, cathedrals, gardens or when I was doing street shooting.

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09.17.2013

Exercise your Creativity with Prime Lenses

© 2013 Kevin Ames | Lens: 85mm F1.4 DG HSM | Shutter speed: 1/125 sec | Aperture: F11 | ISO: 100

More and more I find my self shooting one of three Sigma prime focal length lenses in the studio… the 50mm f/1.4, the 85mm f/1.4 and the 150mm f/2.8 OS macro. I noticed that zooms were making me a bit lazy. Hey! It’s a lot easier to twist a zoom ring that it is to move a 300 pound studio stand even if it is on wheels. So why do I do it? A couple of reasons. Perspective, perspective, perspective. I shoot full frame Canon cameras. Their normal focal length is almost 50mm. That’s about the same angle of view as we see with our eyes. I use the 50 mainly for full length photographs.

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07.31.2013

Macro-licious and more…

© 2013 Kevin Ames

Macro lenses are for making pictures of bugs, watch parts, coins, jewelry and other tiny stuff. Right? Well not necessarily. Recently one of my model buddies wanted some beauty photographs that mimic Cover Girl makeup ads. We gathered one Friday morning at my studio and went to work. I set up an evenly lit white background using V-Flats while Hope had her makeup done by Kristen White.

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05.01.2013

First Look: Sigma 30mm F1.4 DC HSM | Art

Starfish

The Sigma 30mm F1.4 DC HSM | Art lens replaces the very popular 30mm EX DC HSM lens as the fast, standard prime designed exclusively for DLSRs with APS-C sensors including the Sigma SD1 Merrill, the Canon EOS Rebel, 60D and 7D and a number of Nikon models including the D7100, D90, and D5100. And based on the updates and upgrades, the 30mm F1.4 Art lens is going to make a lot of photographers very happy.

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11.08.2012

Sigma’s new 35mm F1.4 DG HSM now available!

The Sigma 35mm F1.4 DG HSM, first in the Art line of lenses announced at Photokina as part of the Sigma Global Vision is now available at an estimated street price of $899.

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08.30.2012

Sigma DP2 Merrill: First Impressions by Jack Howard

The Sigma DP2 Merrill is seriously amazing at capturing even the finest nuances of detail. Check out this super-detailed view of Battery Peck at Sandy Hook, NJ shot at F7.1 for serious depth of field. 1/320 F7.1 ISO 100. Click the image to fly out to full 4704x3136 view.

The Sigma DP2 Merrill creates amazing photographs with exceptional detail and beautifully smooth color gradations and nuances of tone. The overall image quality of this camera is simply amazing.

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08.08.2012

Shot with Sigma: Behind the Scenes at Invodo

You may have noticed that we’ve been adding informative videos to our product pages over the past few days. These videos were shot for Sigma by Invodo in their Dallas, Texas, studios. And every single angle, every scene, and every second of video footage for this project was captured through Sigma lenses on HDSLRs and digital cine cameras in Canon EF and Nikon FX mount formats. Kevin Keller, Director of Photography for Invodo talks about shooting in the studio with Sigma in this cool behind the scenes video.

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