Our job as portrait photographers is often to flatter our subjects and help them look their best. There are so many elements that can go into this equation; lighting, posing, expression, focal length, camera angle and more. There is a lot to consider, so sometimes it is useful to train our eyes to see certain undesirable visual elements so we can weed them out.
I have both a creative and analytical mind. I do not like absolutes. I do no like rules. I do, however, appreciate guidelines that help give us photographers a better understanding of how to use our art to communicate. I’d have to side with Pablo Picasso on this one; “’Learn the rules like a pro, so you can break them like an artist.’”
This month I was invited by Sigma to test out their brand new Sigma 24-105mm F4 lens and to shoot a series of bridal images to demonstrate the versatility of the lens. I decided to put together a fashion-influenced bridal shoot in a stunning location and with the help of my incredible talented creative team. Once I had put together striking visual elements, I would then test all features of the lens that would be important to me as a working photographer.
For several years I photographed weddings, and all the challenges that come with them. I realized very quickly that the last thing I wanted to worry about was my gear. I had to focus on the posing, the lighting, keeping everyone happy, my extremely long shot-list, and much more. I needed to know my gear was reliable and would help me get those must-have moments. When I started I didn’t have a second shooter or assistant; I was the one-woman band expected to make every shot count.