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Tag: Portrait Photography
05.13.2014

How to Photograph Using Reflective Light

Sachi4972

As a natural light photographer there comes a time when even the best of us struggle with finding the right light. As I have mentioned in earlier blogs, the direction of the light and the beauty of a location may not be cohesive, meaning in order to get good light on your subject, you must use a part of the location that’s not so pretty. Sound familiar? Learning how to make a location and the available light work for you, no matter where you are, is one of the greatest lessons you can learn as a photographer. Even now, as I travel for a living, I find myself in locations for the first time and need to be able to find the light almost immediately.

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04.30.2014

The Great Everyday Lens: Sigma 18-200mm F3.5-6.3 DC OS HSM | C

The Sigma 18-200mm F3.5-6.3 DC OS HSM | C is a fantastic everyday lens for photographers looking for a compact, high-ratio zoom lens for small DSLRs

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04.21.2014

How to utilize 5 lenses for a boudoir shoot

The area around the bed is very tight in my studio so I almost always use the 50mm. It allows me to get full body shots and close up shots with ease.  © 2014 Jen Rozenbaum | Lens: 50mm | Aperture: F3.5 | Shutter speed: 1/125 sec

There is one question that is asked of me most often when I am teaching photography. That question is “Which lens is your favorite”? That’s such a terribly difficult question for me to answer. Lenses are like children, I love them all and hate to play favorites.

All kidding aside, I carry 5 lenses with me everywhere I go. Sigma’s 35mm F1.4, 50mm F1.4, 85mm F1.4, 24-70mm F2.8 and the 70-200mm F2.8. Most of my boudoir shoots are done in studio. My studio is very small (about 10’x10’) so I most often shoot with my 50mm due to size constraints. What if I want to take my client out to the rooftop though? (I’m bringing out the 70-200mm for that!) or into the vestibule (only the 24-70mm will do there). I would be unprepared without the other lenses.

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04.07.2014

Photographing in Manual Mode to create Beautiful Exposures

©Judy Host 2014 | Lens: 70-200mm F2.8 EX DG OS HSM | Aperture: F 7.1 | Shutter speed: 1/320sec | ISO 320 | Focal length 80mm| Exposure: manual mode | Processed in Photoshop using Perfectly Clear by Authentic to add a bright and more saturated look.

Learning to use manual settings in your camera will provide you with the ability to create the beautiful exposures you desire. The exposure in your camera is determined by several different settings. Exposure refers to the lightness or darkness of the image. The settings are: 1) the aperture, the lens opening, which lets in light and controls the depth of field; 2) the shutter speed, the speed by which the lens lets in light, and 3) the ISO, which controls the camera’s sensitivity to light. The right combination of these three settings will give you a nearly perfect exposure and give you the effect you want for your image.

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03.24.2014

The Challenges of Photographing in Natural Light

© Judy Host 2013 | Lens: APO 70-200mm F2.8mm EX DG OS HSM | Aperture: F 7.1 | Shutter speed: 1/200sec |  ISO 800 | Exposure mode: Manual mode | Focal length: 157mm

The challenges of photographing in natural light can be many. I don’t always get to choose when I photograph, especially because I photograph children and sometimes the best time for them is in the middle of the day. When that happens there are a few things that can help to make this actually work pretty well.

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02.10.2014

Sigma 24-105mm f4.0 DG OS HSM | Art lens with Kevin Ames

The proof is in the photos. One of the first shoots was with model Amy Patterson as part of my Red Dress series where different ladies rock the same gown.

Ok. I admit to being somewhat of a snob when it comes to the speed of the lenses I use. The list of my f/2.8’s includes the 120-300mm, 70-200mm, 24-70mm, 150mm Macro & 105mm Macro and a 15mm fisheye. For f/1.4 the list is all primes with the 85mm, the 50mm and the new 35mm Art lens. All of these speed demons are from Sigma of course.

So along comes the latest member of their new Global Vision lenses; the 24-105mm at what I thought was a not-so-speedy f/4.0…

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12.27.2013

Meet Sigma Pro, Jennifer Rozenbaum…Boudoir Photographer

© 2013 Jennifer Rozenbaum

Contrary to what many might believe, I haven’t been a photographer for all that long. It’s only been 5 years […]

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12.23.2013

Control Light with Sigma’s C | 17-70mm F2.8-4 DC OS lens

©2013 Judy Host | Lens: Sigma 17-70mm | Focal length: 70mm | Aperture: f/4.0 Shutter speed: 100 | ISO 320 Manual mode

As an available light photographer, learning how to control the light that comes into my camera is the single most […]

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12.13.2013

The DFW Expo and the Holiday Season in Full Swing

The holiday season is upon us.  In Arlington, Texas the beginning of the holiday season is marked in the photography […]

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12.05.2013

Sigma 24-105mm F4 DG OS HSM | Art: Photo Samples

Nine rounded aperture blades, Optical Stabilizer, 4x constant-aperture zoom for creativity and quick one-lens recompositing all add up to a rock-solid new member of the Sigma Art line of lenses. For photographers looking for a constant-aperture one-lens solution from wide to short tele, the new 24-105mm F4 DG OS HSM | A, there’s a whole lot to love.

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