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Tag: Portrait Photography
12.23.2014

How to Recognize Good Posing

Posing is hard. It’s even harder to pose a boudoir client since she is usually not wearing much. No clothes, no where to hide! So how do you know a good pose when you see it? Let me show you some examples.

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12.10.2014

One-Two Editorial Punch: Sigma 24-105mm F4.0 and Sigma 70-200mm F2.8

© 2014 Lindsay Adler | Lens: Sigma 24-105mm 4.0 | Focal Length: 38mm | Shutter speed: 1/1000 sec | Apeture: f/4.0 | ISO 100

When I shoot fashion editorials for magazines, I am shooting a series of images to tell a story. In 6-10 […]

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11.13.2014

Shooting in Small Spaces

© 2014 Jennifer Rozenbaum

Whether you are shooting boudoir photography in a big city, or a small town, you must know how to make the most of shooting in small spaces. Whether it’s a studio, hotel room, or a clients home, being creative in a small space can sometimes be a challenge.

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11.02.2014

Fast Glass and High Speed Sync: A Striking Combo

When shooting on location, I often enjoy shooting at very wide apertures to give me a painterly blur in the […]

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10.23.2014

The 24-105mm Art Lens: A Storytellers Dream

©  2014 Melanie Myhre

Photography for me is more than creating a pretty picture. It’s about telling a story and transporting the viewer to another time and place. The idea that anything is possible if you can dream it is a re-occurring inspiration in my work.  If I can create and capture a fantastical scene in our own reality without compositing in Photoshop, I feel that I have succeeded in preserving a little wonder and hope in our world, even if that scene existed for just a brief moment.

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10.21.2014

Desert Fashion Editorial: 24-105mm F4 DG Art. When a One-Lens Solution is a Must-Have!

©  2014 Lindsay Adler | Sigma 24-105mm 4.0 at 87mm | Shutter speed: 1/160sec | Aperture: f/4.0  | ISO 100

Earlier this year I took an expedition into the giant sand dunes outside of Dubai to shoot a fashion editorial for Zink Magazine. This was a shoot I had been anticipating for quite sometime, as it was the type of work I always dreamed of shooting. I would be in an exotic location with an incredible team on my side, beautiful model, and freedom to create striking images. It truly was a dream shoot made into a reality.

On the first day of shooting we took the vehicles deep into the dunes, passing camels and leaving the nearest town and signs of life far behind. As we approach the gathering of dunes I was amazed as they towered like mountains above the SUVs. Seeing the model first stand into front of the dunes, she appeared like a speck before their grand size.

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10.03.2014

Style Choices- High Key Lighting

Almost everything we do in life is a choice. How we express ourselves, how we see objects, how we create art, all of these elements, although may be intuitive to our nature, are also choices we make.

In regards to photography, we may choose a certain kind of subject to photograph. Some of us prefer to photograph landscapes or children or weddings. Whatever the subject, it’s a choice we make, and in making those choices, we are creating a style and a look to our work.

There are several other style choices that I want to talk about in this article. They include lighting, lenses, angles, locations, props and camera settings.

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09.30.2014

Sigma Pros talk favorite lenses at Creative Live

CreativeLive

Sigma Pros Jen Rozenbaum and Lindsay Adler talk about their current favorite Sigma lenses for fashion, boudoir, and portraiture work.

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09.23.2014

The “Sweet” Light: Capturing Beautiful Portraits at Sunset

For many natural light photographers, photographing in the “Sweet Light” is the highlight of what we do. This light happens around an hour before sunset and an hour around sunrise. It’s the most beautiful, sweet and natural light of all. Timing it can sometimes be difficult, but if you allow yourself to set up your subject and get ready for the sun to start it’s decline, you will be rewarded with the prettiest of all light. It only lasts for about 20 minutes and then turns into a different kind of light, twilight, which can also be beautiful to capture. In the following images, my beautiful subject Zoe is dancing in the sweet light in Ocean Beach, California. This session was timed to capture this gorgeous light as she moved to the music in her head. Photographing with Sigma’s 24-105mm F4.0 DG (OS) HSM | A lens, I was able to create these very sharp and beautiful images. I choose to photograph wide open, at f 4.0 and use a fast shutter speed, s 1/400 to keep my images sharp, as Zoe was consistently moving. My ISO was adjusted as the light changed.

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09.02.2014

Sigma 50mm F1.4 EX DG HSM vs Sigma 50mm F1.4 DG HSM | A

Adding either of these Sigma 50mm F1.4s camera lenses to your kit is a great idea. Is the Sigma 50mm F1.4 DG HSM | A or 50mm F1.4 EC DG HSM right for you?

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