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Tag: Nature Photography
08.04.2014

LENS EXPLORATION: 150-500mm F5-6.3 APO DG OS HSM

Tout_LensExploration

  Intro If you want to photograph all kinds of subjects from long distances—from wildlife to athletes to fast-moving vehicles—then […]

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05.28.2014

First Look: Sigma 50mm F1.4 DG HSM | A

Daffodils, captured wide open at F1.4 with the new Sigma 50mm F1.4 DG HSM | A lens on a classic 5D. 1/5000 F1.4 ISO 100.

The Sigma 50mm F1.4 DG HSM | A lens is simply amazing. This standard field of view, fast-aperture, full-frame, prime lens combines outstanding sharpness, fast autofocus, in a lens that is built with a singular vision on performance.

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05.19.2014

Photographing the Nighttime Landscape with Sigma’s 12-24mm lens

I have been photographing nighttime landscapes for about 20 years now capturing images of star trails like the one pictured […]

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05.16.2014

On Location in Alaska with the Sigma 18-250mm OS

On a recent trip to Alaska I brought along a lens on loan from Sigma, the 18-250mm F3.5-6.3 DC OS MACRO […]

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04.14.2014

Photographing the Untamed Coast of Hawaii

Waipio Morning

The magic of Hawaii, and the reason to keep returning time and time again, lies beyond the well-manicured resorts and pristine sandy beaches. The spirit of the land, or aina as the natives call it, is in the towering cliffs, lush rainforests, volcanic rock-strewn black sand beaches, deep canyons, lava-spouting volcanoes and tall mountains. Most visitors don’t see the incredible diversity Hawaii has to offer, but to those willing to explore, including dedicated photographers, it’s literally a paradise. I will show you only a small part of that incredible natural beauty here in two images of Big Island’s wild coast.

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04.10.2014

Tips for Supertelephoto Zoom Lens Photography

Supertelephoto lenses can help bring a whole new level to your photography; and it just takes a little practice to get the hang of some of the particulars of working with long-reach lenses. Here are some top tips for making the most of supertelephoto zoom lenses.

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03.28.2014

High Concept Photography

An example of a high concept image, this depiction of McClures Beach at Point Reyes National Seashore rises above the literal, conveying ethereal mood through a dream-like representation of sunset. Nikon D2X. Sigma 10-20mm f/4-5.6 EX DC HSM lens. f/16, .5 second. ISO 100. Sigma Circular DG Polarizer Filter. Gitzo GT2451EX tripod with Gitzo ball head. Photo © David FitzSimmons. All rights reserved.

In “The High Concept Image,” a recent feature in Outdoor Photographer, nature photographer Ian Plant intelligently challenges photographers to capture creative, thoughtful images that move beyond “snapshots,” rising to the level of “art.”

Ian’s description of the high concept image is in contradistinction to the “low-concept image,” which he points out is generally more “documentary” or “literal” in nature. Seeing nothing wrong with such grab shots, he does, however, push photographers to look for new ways to depict the world. He invokes legendary photographer Minor White, who once said “One should photograph objects not only for what the are but for what else they are.”

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03.03.2014

What is a Zoom Lens? And why and when to choose a Zoom Lens?

Sigma offers a great variety of zoom lenses. (Lenses are not shown to scale in this display.)

A zoom lens is a type of camera lens that is offers the photographer a useful range of different focal lengths in a single lens. This is in comparison to a prime lens, which only offers a single focal length. A zoom lens allows for quick and easy re-framing of a scene while staying in the same physical position. Sigma offers a line of over 20 zoom lenses for DSLR photographers, ranging from wide angle zoom lenses, supertelephoto zoom lenses, and high-zoom ratio all-in-one lenses for both full-frame (DG) and APS-C (DC) digital cameras.

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02.25.2014

Winter Waves with the Sigma 120-300mm F2.8 DG OS HSM | S

120-300mm F2.8 DG OS HSM | S, 1.4X Teleconverter EX APO, Nikon  D4, manual mode, 1/1250th s at f/5.6, ISO 160, Auto-ISO, -0.3 EV, handheld.

Over the last few months I have been testing the newest version of the Sigma’s 120-300 f/2.8. I have nothing but good experiences with the older version of this lens so I have been looking forward to working with this lens over the winter and spring at home in Southern California. So far my experiences have changed my view of this lens, the newest version of the 120-300 f/2.8. The previous version was good. I found that this latest version has quick and accurate autofocus; the image quality is superb and the focal range excellent for nature photography.

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02.20.2014

Sigma’s 105mm F2.8 Macro OS

© 2014 Robert O'Toole | Sigma 105mm F2.8 EX DG OS HSM Macro, Nikon D800E, manual mode, 1/200th s at f/8, ISO 640, Single SB-R200 wireless flash at 1:8 power manual mode, handheld.

The Sigma 105mm F2.8 Macro EX DG OS HSM lens has become one of my favorite lenses for macro photography in the field. So what makes me reach for this lens when Sigma offers five macro lenses when I own all of them? The answer is balance- the 105mm lens is really good at everything and one of the best in terms image quality. This lens can give you the sharpest results possible with an excellent balance of size, weight, working distance at a very high value per dollar price.

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