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Tag: Landscapes
07.26.2016

The Desert Southwest: a Landscape Photographer’s Dream!

© 2016 Roman Kurywczak | Sigma 12-24mm at f/16 for 1/160 second at ISO 500.

Growing up in NJ, surrounded by tall oaks and other deciduous trees, I found the red rocks of the desert […]

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12.04.2015

Behind the Shot: Ski’s Eye View of Monument Valley

This photo appears in the December 2015 issue of Powder Magazine, made with the Sigma 12-24mm lens atop my car! Photo © Liam Doran / Powder Magazine

It’s a bit risky for the world’s top ski magazine to run a shot of skis travelling through the desert as the opener, but I’m glad they did…and it’s great to see a previsualized shot come to life just as you imagined it!

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11.13.2015

Adirondack landscapes with Sigma lenses

Photo by John DiGiacomo

By John DiGiacomo This year while photographing fall foliage in New York’s Adirondack State Park, I added two versatile Sigma […]

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09.30.2015

October’s Sigma SuperFan: Tom Nanos

Tom Nanos of Lebanon, CT, is our October Sigma SuperFan. Photo by Nick Palanzini

Congratulations to Tom Nanos of Lebanon, Connecticut, our October #SigmaSuperFan. This accomplished railroad photographer impressed us with his passion for capturing trains in his essay.

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08.03.2015

The Magic of Iceland – with just four Sigma lenses

©2015 Roman Kurywczak | Canon 1Dx body with the Sigma 24mm F1.4 DG HSM Art, f/16 for 25 sec. at ISO 100 all mounted on Induro CT304 tripod and BHL3 head.  Vü Sion circular polarizer and a 10 stop solid neutral density filter.

Many people often ask me how I travel to my Roamin’ with Roman Photo Tours workshop locations with my camera […]

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06.30.2015

Sigma 10-20mm F3.5 EX DC HSM for Outdoor Action Photography

1/800 sec. f8.0 ISO 400 at 10mm on Canon 7D with off camera flash.  From top to bottom and foreground to background there is a lot for the eye to see in this image.  That is the beauty of a wide angle like the 10-20 f3.5 EX DC HSM to put an athlete in an environment.

Editor’s Note: A few years back, we first came to notice the outstanding work Liam Doran was creating with the […]

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05.01.2015

The 35mm f1.4 for a Creative Take on Travel Photography

© 2015 Ryan Brown

I had the chance to explore the desert with the Sigma 35mm f1.4 Art Series lens. About 30 miles outside of Las Vegas, Nevada lies a town that is not on any maps. Nelson, Nevada is a former gold mining town in Eldorado Canyon. Filled with old cars, trucks, gas pumps, and barns, this was the perfect place to give the new 35mm lens a workout.

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03.02.2015

Sigma 24mm F1.4 DG HSM | Art: First Look

Along the Brooklyn waterfront. 30 second exposure at F11 at ISO 100 on the Canon 6D by Patrick Santucci.

Patrick Santucci and I had a few days to check out the first sample of the new 24mm F1.4 DG […]

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02.02.2015

Why Circular Polarizers Still Matter

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Why circular polarizers still matter: A high quality circular polarizer is still one of the most important accessories for any photographer’s bag. And the new Sigma Weather-resistant Circular Polarizers offer incredible performance, weather-tough design, and a fantastically upgraded case with grip arcs that keep the filters from rattling around in the bag.

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12.08.2014

A Night at the Very Large Array

Image copyright Roman Kurywczak Canon 1D Mark 3 body with the Sigma 12-24mm f/4.5-5.6 at 12mm for 30 seconds at f/5 and ISO 6400 mounted on Induro CT 304 tripod with BHL3 head.  Painted with flashlight for approximately 15 seconds.

As a Sigma Pro team member I had the privilege of being invited to give lectures and workshops at the 2014 Festival of Cranes out at the Bosque del Apache National Wildlife Refuge. I have visited the refuge many times before, and, while I was excited about being able to photograph the birds again, I was most excited about my two nighttime lectures and workshops at the Very Large Array (VLA). These giant radio telescopes would make a great foreground subject for a star filled sky. Nobody has been allowed on the property at night since 2009, so I was very excited about taking a group out to the location. Sigma Photo would sponsor the event, and I agreed with the organizers of the festival to take out 40 participants each night. With a group that size, I knew I wouldn’t get much of a chance to take pictures myself, but it would be a great learning opportunity for the class. The image at top is one of the few I was able to take during a break in the instruction.

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