In 2011 I released my first children’s picture book, CURIOUS CRITTERS, which featured close-up photographs of twenty-one animals. All the shots were taken with Sigma gear. The book really took off with children and families across North America. Within four months we sold out. To-date, we’ve sold over 100,000 copies.
The exquisitely appointed Vizcaya Museum and Gardens is a photographer’s paradise. The former home of businessman James Deering, who made his fortune manufacturing agricultural machinery, is filled with architecture begging for megapixels of detail, super wide angle views, and impeccable HDR techniques.
In “Playing in the Sand: Part One,” I discussed how to turn a cloudy day on the beach into an exploration of photographic possibilities. I showed that each wave follows a different pattern on the beach, allowing photographers to experiment with their own seascape themes and variations.
In my workshops and presentations over the past few years, I have discussed my extensive use of two powerful software packages: Helicon Focus and Photomatix. Helicon Focus stacks multiple images, each focused on different planes, creating one super-focused image. Photomatix combines multiple images photographed with different exposure values, creating one file with a super-wide exposure range.
In conjunction with Sigma and Hunt’s Photo, I recently lead a garden photography workshop at The Botanic Garden of Smith College in Northampton, MA. There and anywhere I lead a workshop dealing with macro photography, I always stress the importance of choosing your f-stops wisely.
It’s pretty well known that a polarizer filter may deepen the color of blue skies, but the more subtle effects of a polarizer are often less known–and certainly worth exploring.
Polarizers limit the light that penetrates through them. As such, they help reduce contrast. Polarizers are like prison bars, where the light bouncing up and down through the bars passes through, but the light waves traveling horizontally do not. Of course, polarizing filters can be rotated, changing which directional light reaches a camera’s sensor and which does no
In spring, as life slowly fills the dormant West Virginia landscape, color bursts forth everywhere. It seems that wherever you point your camera, you get good images. While leading photography field sessions at the New River Birding and Nature Festival this May, I was stirred by the hues sweeping across the mountains in West Virginia. Each day, festival leaders take participants to a variety of locations, and, while much of the week focuses on bird watching and photography, many trips include beautiful landscapes.