Last year, Sigma announced a pair of zoom lenses for full-frame cameras, the 150-600mm F5-6.3 DG OS HSM | Sports and 150-600mm F5-6.3 DG OS HSM | Contemporary. With identical focal lengths and apertures, and advanced feature sets including the Sigma-exclusive lens customization, these two new champion zoom lenses share a significant amount of DNA. So, what is the difference between the Sports and Contemporary version of the Sigma 150-600mm zoom lenses?
Photography in winter can be a challenge. And when I say “winter”, I’m not talking of winter in the sense of majestic snowcapped peaks framed by freshly powdered pines with perfect golden light and firetone brushstroke clouds, I’m talking more of the winter of dirty refrozen slushpiles downtown three frigid days after a mid-January sleetstorm around 11:17 on a grey Tuesday morning when it seems there’s nothing magical left in the world worth getting out of warm car with a camera for.
Winter has its challenges, for sure, especially in the deciduous zones, where skeleton trees thrust bony fingers at the sky, and vistas and sweeping wild scenes are brushed widely with swaths of stingy browns and grays, instead of the festive pastels of spring, the lush greens of summer and the fall fireworks palette. But winter has it own charms and own rewards, and for photographers looking to challenge themselves and experiment, it can be a great time to get out and explore with a long lens, like the new 150-600mm F5-6.3 DG HSM OS | Sports lens.
I was fortunate enough to get a chance to test out the new Sigma 150-600mm f5-6.3 Sport lens at the Festival of Cranes out in New Mexico. The images above and below are some of the first I captured with it early one morning at the Bosque del Apache NWR. What is unusual about the images is that I normally use a Canon 1D Mark 3 body, but as fate would have it, the Canon mount Sigma 150-600mm f5-6.3 Sport lens got lost on its way to the festival. What to do? Sigma tech rep and photographer Brett Wells came to my rescue and offered me his Nikon version of the Sigma 150-600mm f5-6.3 Sport lens along with his Nikon D600 body. So while it was a bit uncomfortable for me working with a camera body that I wasn’t familiar with, I had no problem putting the lens through its paces. After all, Sigma makes most of their lenses in Canon, Nikon, Sony, Pentax, and Sigma mounts. As I returned to the festival tent I had a surprise awaiting me as the case with the Canon mount Sigma 150-600mm Sport had just came in and was at our booth. I could now use that lens for the next few days in combination with my Canon 1D Mark 3 body.
The Sigma 150-500mm F5-6.3 zoom lens offers great versatatility and reach in a compact package, perfect for on-the-go wildlife and birding phtoography.
The love of photography is something that is oftentimes shared and passed down through the generations of a family. Ask a photographer where they first caught the photo bug, and there’s a good chance that a father, uncle, aunt or mother originally sparked that interest.
This past month, I was lucky enough to visit two amazing birding hotspots with the Sigma 120-400mm F4.5-5.6. Now, after shooting with this compact, long-reach tele zoom, I’ve got to say that is has quickly become one of my favorite lenses in the Sigma lineup for its fantastic combination of reach, range and amazing sharpness in a very compact package–under four pounds and just eight inches long.
Spots where sand, sea, and sky come together offer certain challenges to photographers, but the results can be so amazingly rewarding. Conditions can change quickly as the sun hides behind a cloud, and conditions most certainly change slowly as the tides sink and rise and the sun and moon dance across the sky. The same patch of sea may be mirror calm and reflecting golden light, or it may be a churn of furious waves. Fogs, mists, and wind-whipped sand can make for gorgeous images even as they fool camera meters. There’s a world of possibilities waiting to be captured along these edges, whenever you visit, and with whatever Sigma lens you’ve got in your bag.
Sigma’s Technical editor Jack Howard gives a comprehensive report about the new 120-300mm F2.8 EX DG OS APO HSM lens.