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Category: Sigma Pro
12.10.2014

One-Two Editorial Punch: Sigma 24-105mm F4.0 and Sigma 70-200mm F2.8

© 2014 Lindsay Adler | Lens: Sigma 24-105mm 4.0 | Focal Length: 38mm | Shutter speed: 1/1000 sec | Apeture: f/4.0 | ISO 100

When I shoot fashion editorials for magazines, I am shooting a series of images to tell a story. In 6-10 […]

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12.08.2014

A Night at the Very Large Array

Image copyright Roman Kurywczak Canon 1D Mark 3 body with the Sigma 12-24mm f/4.5-5.6 at 12mm for 30 seconds at f/5 and ISO 6400 mounted on Induro CT 304 tripod with BHL3 head.  Painted with flashlight for approximately 15 seconds.

As a Sigma Pro team member I had the privilege of being invited to give lectures and workshops at the 2014 Festival of Cranes out at the Bosque del Apache National Wildlife Refuge. I have visited the refuge many times before, and, while I was excited about being able to photograph the birds again, I was most excited about my two nighttime lectures and workshops at the Very Large Array (VLA). These giant radio telescopes would make a great foreground subject for a star filled sky. Nobody has been allowed on the property at night since 2009, so I was very excited about taking a group out to the location. Sigma Photo would sponsor the event, and I agreed with the organizers of the festival to take out 40 participants each night. With a group that size, I knew I wouldn’t get much of a chance to take pictures myself, but it would be a great learning opportunity for the class. The image at top is one of the few I was able to take during a break in the instruction.

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12.05.2014

Festival of Cranes: Sigma 150-600mm F5-6.3 Sport

I was fortunate enough to get a chance to test out the new Sigma 150-600mm f5-6.3 Sport lens at the Festival of Cranes out in New Mexico. The images above and below are some of the first I captured with it early one morning at the Bosque del Apache NWR. What is unusual about the images is that I normally use a Canon 1D Mark 3 body, but as fate would have it, the Canon mount Sigma 150-600mm f5-6.3 Sport lens got lost on its way to the festival. What to do? Sigma tech rep and photographer Brett Wells came to my rescue and offered me his Nikon version of the Sigma 150-600mm f5-6.3 Sport lens along with his Nikon D600 body. So while it was a bit uncomfortable for me working with a camera body that I wasn’t familiar with, I had no problem putting the lens through its paces. After all, Sigma makes most of their lenses in Canon, Nikon, Sony, Pentax, and Sigma mounts. As I returned to the festival tent I had a surprise awaiting me as the case with the Canon mount Sigma 150-600mm Sport had just came in and was at our booth. I could now use that lens for the next few days in combination with my Canon 1D Mark 3 body.

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12.02.2014

How to Photograph Your Dog: 4 – First Bath

Labs love water, right? Throw a stick into a pond, and your retriever will dart into the water likety split. But giving her a bath may be an entirely different story. So for your puppy’s first cleaning, make sure to have your camera in-hand.

For Rowan, her first time in the tub wasn’t too bad. Of course, pouring the initial containers of water on her head elicited a natural drawing away, a great subject for a close-up shot.

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11.27.2014

Football Photography: 120-300mm F2.8 DG | Sports + 2.0x Teleconverter

There’s a chill in the air and the ground is covered with crisp Autumn leaves. It must be football season. […]

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11.18.2014

How to Photograph Your Dog: 3 – Puppy Play

Rowan’s first visit to a dog park was great fun, both for our pup as well as her owners. While a number of big dogs trotted all around the fenced-in park, Rowan found a more quiet spot of grass where she quickly engaged in wrestling Bear, another Lab pup better matched in size. They nipped, chased, rolled, pounced, paused, and then went at it again, seemingly with limitless energy and enthusiasm.

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11.13.2014

Shooting in Small Spaces

© 2014 Jennifer Rozenbaum

Whether you are shooting boudoir photography in a big city, or a small town, you must know how to make the most of shooting in small spaces. Whether it’s a studio, hotel room, or a clients home, being creative in a small space can sometimes be a challenge.

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11.05.2014

How to Photograph Your Dog: 2 – The ALMOST Perfect Picture

What I’m hearing from readers is this: In your dog blog, don’t tell us how to take professional pet portraits; […]

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11.04.2014

The Power of the Sigma EM-140 DG Macro Flash for Macro Photography

© 2014 Roman Kurywczak | Sigma 150mm f/2.8 macro lens | Aperture: f/22 | Shutter speed: 1/200 sec. | ISO 500 with the Sigma EM-140 DG Macro Flash at -1

OK, it is no secret that I have used some sort of flash in almost every macro photography image I have ever taken. Why? I love maximum depth of field and while I love natural light photography, the 3 days of the year it is calm enough to photograph outside just weren’t enough! All kidding aside, most “natural light” macro photography with maximum depth of field is done inside where everything is controlled and you have to be on a tripod. I am guilty of resorting to this technique often myself but I do love being out in the field. The wind is generally too strong on most day and many locations do not allow you to bring a tripod. That is why I embraced the power of flash. I have used many varieties of flash for my macro work including a Speedlights, twin lights, and old ring lights so I jumped at the chance to try out my Sigma EM-140 DG Macro Flash to see how it stacked up to those flashes. The image at top is one of the first I took and you can see just how close to the flower I got and the macro flash illuminated the bloom very nicely at that close range.

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11.02.2014

Fast Glass and High Speed Sync: A Striking Combo

When shooting on location, I often enjoy shooting at very wide apertures to give me a painterly blur in the […]

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